tag:blogger.com,1999:blog-340633002024-03-13T14:45:51.730-07:00Residencia CorazónResidencia Internacional para artistas/ Artist Residency/ La Plata, Buenos Aires, ArgentinaUnknownnoreply@blogger.comBlogger354125tag:blogger.com,1999:blog-34063300.post-11142838441844445002024-01-08T07:59:00.000-08:002024-01-08T07:59:16.911-08:00Bruna Iurko/La mirada al vuelo/ julio 2023<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR5PqHVVbeTt_u3xL8v5h2LQWfcuKYe-qim0WcrSRxe1jPHuvVcgf5I56nZ3CoV3gaxxcit8qzl0FFTeTR6STBFXAVjpb6EVeuqenKdYWs9mgulazGrRtA6WxsDVLW5xUiT3zqBXjWpjDVdofDYY9dI6PtDxEgW60d5HF3GuUIjd3e2P0bXt1o/s1080/WhatsApp%20Image%202024-01-08%20at%2012.55.45.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR5PqHVVbeTt_u3xL8v5h2LQWfcuKYe-qim0WcrSRxe1jPHuvVcgf5I56nZ3CoV3gaxxcit8qzl0FFTeTR6STBFXAVjpb6EVeuqenKdYWs9mgulazGrRtA6WxsDVLW5xUiT3zqBXjWpjDVdofDYY9dI6PtDxEgW60d5HF3GuUIjd3e2P0bXt1o/s320/WhatsApp%20Image%202024-01-08%20at%2012.55.45.jpeg" width="320" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFSEW5EUzGNaPTPPhgjsrNcASK0d5NqPuHhIv7A2wbdm8nwVe5rr5GKAc2pnhQDL_MEZOIzNbdJGLWnTeP1N4pltc4YW8Ujrm9K8P0cSx2PFaZw1zWiN8FyyaF6o-mPfjdsfwlUAXUlIWB6eit3HEVYPb2BIKJMd41eUMakoE1yasCNz1I-Uvl/s1080/WhatsApp%20Image%202024-01-08%20at%2012.55.45%20(1).jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFSEW5EUzGNaPTPPhgjsrNcASK0d5NqPuHhIv7A2wbdm8nwVe5rr5GKAc2pnhQDL_MEZOIzNbdJGLWnTeP1N4pltc4YW8Ujrm9K8P0cSx2PFaZw1zWiN8FyyaF6o-mPfjdsfwlUAXUlIWB6eit3HEVYPb2BIKJMd41eUMakoE1yasCNz1I-Uvl/s320/WhatsApp%20Image%202024-01-08%20at%2012.55.45%20(1).jpeg" width="320" /></a></div><br /><p></p><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><span style="font-family: arial;"><span style="background-color: white;">Bruna Iurko García (San Pablo, Brasil, 1993) Artista independiente e autodidacta, Bruna creció y vive en Capão Redondo, barro periférico de San Pablo. Tercera de 7 hijos, desde chica mostró con sus manos inquietas el deseo de crear. Realizó cursis de capacitación en diversas áreas, transitando entre el diseño, la moda y la ilustración construyó sua identidad de una profesional multifacética.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">Su expresión proviene de su forma de ver la vida y su relación espiritual. Umbandista y médium, traza través de su narrativa una relación con la natureza como un libro sagrado.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">ENG</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">An independent and self-taught artist, Bruna grew up and lives in Capão Redondo, a neighborhood in the outskirts of São Paulo. The third of 7 children, since childhood she showed through her restless hands the desire to create. With some free and technical courses in several areas, transiting between design, fashion, and illustration, she built the identity of a multifaceted professional. Her expression comes from the way she sees life and her spiritual relationship. Umbandist and medium, he brings through his narrative the relationship with nature as a sacred book.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">PORT</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">Artista independente e autodidata, Bruna cresceu e mora no bairro de Capão Redondo, zona periférica de São Paulo.Com alguns cursos livres e técnicos em diversas áreas, transitando entre design, moda e ilustração, construiu a identidade de uma profissional multifacetada. Sua expressão vem da forma como enxerga a vida e sua relação espiritualista. Umbandista e médium, traz por meio da sua narrativa a relação com a natureza como livro sagrado. A fauna e flora de pinceladas expressivas e gestuais são exaltadas em todos os suportes.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">Esta residencia es posible gracias al apoyo de </span><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/embrasilargentina/" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: white; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">@embrasilargentina</a><span style="background-color: white;"> </span></span><div><span style="background-color: white;"><span style="font-family: arial;"><br /></span></span></div><div><p><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/iurkobruna/" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: white; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0"><span style="font-family: arial;">@iurkobruna</span></a></p><span style="background-color: white;"><a href="http://brunaiurko4.wixsite.com/iurko"><span style="font-family: arial;">brunaiurko4.wixsite.com/iurko</span></a></span></div><div><span style="font-family: arial;"><br /></span></div><div><p class="MsoNormal"><span style="color: windowtext;"><span style="font-family: arial;">Observar con cariño hacia la
naturaleza y el suave devenir de los destinos nos hace reflexionar sobre el
funcionamiento del instinto. ¿No hay curiosidad, inseguridad o miedo? ¿El
proceso simplemente se repite exhaustivamente sin ninguna razón?<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="color: windowtext;"><span style="font-family: arial;">Además de estas y otras preguntas,
veo aquí el atuendo de un pequeño pájaro que retrata los desafíos de dejar la
comodidad de su propio nido, reconociendo el desafío de ser lo que uno es. Se
necesita el valor de la autoaceptación y la lectura de la esencia que llevamos.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="color: windowtext;">Si el universo te da alas,
despegar es una misión, así que confía en las tuyas y buen viaje, dentro y
fuera.</span> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span lang="EN-US" style="mso-ansi-language: EN-US;">------------------------------------------------------------------------------------------------------------------------</span><span lang="EN-US" style="color: windowtext;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: windowtext;"><span style="font-family: arial;">Looking
fondly at nature and the gentle unfolding of destinies makes us reflect on the
workings of instinct. Is there no curiosity, insecurity or fear? Is the process
simply repeating itself exhaustively for no reason?<o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: windowtext;"><span style="font-family: arial;">In
addition to these and other questions, I see here the attire of a small bird
portraying the challenges of leaving the comfort of one's own nest, recognizing
the challenge of being who one is. It takes the courage of self-acceptance and
reading the essence we carry.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: windowtext;"><span style="font-family: arial;">If the
universe gives you wings, taking off is a mission, so trust yours and bon
voyage, inside and out.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: windowtext;"><span style="font-family: arial;">----------------------------------------------------------------------------------------------------------------<o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="color: windowtext; line-height: 107%;"><span style="font-family: arial;">Enxergar com carinho a natureza e
o desenrolar tão suave dos destinos nos faz refletir sobre como o instinto
funciona. Será que não existe curiosidade, insegurança ou medo? O processo só
se repete exaustivamente sem tem porquê?<br />
Para além desses e outros questionamentos, visto aqui a roupagem de um pequeno
pássaro que retrata os desafios de abandonar o conforto do próprio ninho,
reconhecendo o desafio de ser o que se é. É preciso a coragem da autoaceitação
e leitura da essência que carregamos.<br />
Se o universo te dá asas, alçar voo é missão, então confie nas suas e boa
viagem. Para dentro e fora de si.<o:p></o:p></span></span></p><span style="font-family: arial;">----------------------------------------------------------------------------------------------------------------------------</span></div><div><p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-align: justify; text-indent: 0cm;"><b><span lang="ES" style="color: black; line-height: 150%;"><span style="font-family: arial;">SER COMO LOS PÁJAROS <o:p></o:p></span></span></b></p>
<p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-align: justify; text-indent: 0cm;"><span lang="ES"><span style="font-family: arial;">Cierta ingravidez acontece al seguir el rumbo de los
sueños. Imperceptible a la vista, pareciera sentirse suave la distancia entre los
pies y la superficie del suelo. Cambia levemente la perspectiva y percibimos
otra nueva realidad que, si bien no dista mucho de la que habitamos en el
cotidiano, sensibiliza de otro modo la manera en que asimilamos todo aquello
que nos rodea. Un registro háptico de cada movimiento y aliento, del aire y el
viento; de las hojas que vemos caer de los árboles en las veredas. Algunas
plumas nos acercan la memoria de los pájaros y levantamos la vista para
buscarlos. Los oímos en la lejanía para abrirnos mucho más allá del cielo que
nos mira la cabeza. <o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-align: justify; text-indent: 0cm;"><span lang="ES"><span style="font-family: arial;">De un hacer espontáneo, <i>Bruna Iurko</i> es como un ave
que recorre y construye instintivamente paisajes y escenas de naturaleza. Se expresa
versátil por medio de diversas disciplinas que tienen como origen el diseño. Tatúa
el cuerpo y lo dibuja para siempre. También moldea líneas de plata que reverdecen
las formas de la cara, las manos, el cuello. Con la misma seguridad con la que
perpetúa ecos selváticos y animalias en pieles humanas, cambia la fisonomía de
paredes descoloridas donde nadie posa la mirada. Pieles de ciudad que viven en
la intemperie, se borran, se tapan, se llueven y se manchan. Un paisaje
transitorio. Sobre la dermis o los ladrillos apilados, siempre crecen hojas,
ramas, una selva recordada, animales de ensueños y rituales del tiempo de la
tierra. Bruna es como los pájaros, sueña y vuela alto. Pinta para diluir
límites. Camina esos aparentes bordes divisorios entre lo interno y propio, lo
íntimo y privado del espacio del cuerpo, de la casa y el silencio; a lo abierto
e inasible, lo público, lo urbano y lo comunitario. Pareciera haber una
insistencia en reconciliar eso que en apariencia se enfrenta y de divide.<span style="mso-spacerun: yes;"> </span>Mediadora de lo urbano y lo natural, espejo
espiritual. <o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-align: justify; text-indent: 0cm;"><span style="font-family: arial;"><span lang="ES">El mundo es demasiado grande para quedarse en el nido. La
mirada al vuelo es una invitación a ser como los pájaros, tener el valor para
cambiar de paisaje, vislumbrarlo todo desde arriba, volverse cielo, nube,
viento. Sobrevolar el vacío de los miedos y las incertidumbres de los caminos
nuevos. Romper </span>los propios
límites y derribar esos <span lang="ES">muros internos. Escuchar el idioma de las plantas, que
también se hace eco de la naturaleza de lo humano. <o:p></o:p></span></span></p><p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-align: justify; text-indent: 0cm;"><span lang="ES"><b><span style="font-family: arial;"> Lucrecia Gimenez/ Curadora</span></b></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-left: 0cm; text-indent: 0cm;"><span style="font-family: arial;"><span lang="ES" style="color: red;"><span style="mso-spacerun: yes;"> </span></span><br /></span></p><br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-20639748850523196232024-01-08T06:31:00.000-08:002024-01-08T06:33:17.996-08:00Morgan Craig en Residencia Corazón/ julio 2023<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLvDc7WYrmmlHTukV-rfIdJvXD9WbRBp3kxYQe0NJIT6XVg_ftC9hFcXjfcaQGjOOlHOroTK_w570oLwLRjUpq_V1ufFU49Fg-j3KOTiGXFtYyVq1DgUCSNnsRiY4L1EPNEmBZKDOhRk3v9CUolU9dLCl7y12E1LN6qhQ1oMZtdIyysNawjcXo/s1500/WhatsApp%20Image%202024-01-08%20at%2011.16.02%20(1).jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLvDc7WYrmmlHTukV-rfIdJvXD9WbRBp3kxYQe0NJIT6XVg_ftC9hFcXjfcaQGjOOlHOroTK_w570oLwLRjUpq_V1ufFU49Fg-j3KOTiGXFtYyVq1DgUCSNnsRiY4L1EPNEmBZKDOhRk3v9CUolU9dLCl7y12E1LN6qhQ1oMZtdIyysNawjcXo/s320/WhatsApp%20Image%202024-01-08%20at%2011.16.02%20(1).jpeg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdtRl3SS_KrmPS6KOAt5zv4Qo7pBqy0LMjoLLZxN_stAPFuPUgKe03uaQQM6TyRvtaSx3rY2wbJq5wR4b1uR-SOCBuQOyFwuY0mMD7HY6DyAQQjbWSPUL5Jf7pvFa-6PLNBRuuPsKm1iOHAHtcdfywXVPiPq4IjLtqYX1-GSVJXPTJA2WrKHgX/s1080/WhatsApp%20Image%202024-01-08%20at%2011.16.02.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdtRl3SS_KrmPS6KOAt5zv4Qo7pBqy0LMjoLLZxN_stAPFuPUgKe03uaQQM6TyRvtaSx3rY2wbJq5wR4b1uR-SOCBuQOyFwuY0mMD7HY6DyAQQjbWSPUL5Jf7pvFa-6PLNBRuuPsKm1iOHAHtcdfywXVPiPq4IjLtqYX1-GSVJXPTJA2WrKHgX/s320/WhatsApp%20Image%202024-01-08%20at%2011.16.02.jpeg" width="320" /></a></div><br /><p><br /></p><p> <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/ineveryheartarailway/" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: white; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">@ineveryheartarailway</a></p><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"><a href="http://www.morgancraig.org">www.morgancraig.org</a></span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">Morgan Craig (Filadelfia, USA, 1974) es pintor, docente y Máster de Bellas Arte en Pintura de la Universidad de Filadelfia. Su espíritu viajero lo ha llevado a exponer y participar de residencias en Europa, África y China. “Creo que las estructuras arquitectónicas, que actúan a la vez como depósitos y como vehículos de la memoria, influyen profundamente en la cultura y la identidad al proporcionar un marco tangible a través del cual pueden expresarse facetas de una sociedad. Me he inspirado para crear un corpus que trata de cómo influyen en la identidad los tipos de arquitectura presentes en un paisaje determinado. Mi trabajo no es un mero método de documentación, sino un comentario socioeconómico y sociopolítico sobre los efectos de la arrogancia, la avaricia, el comercio, la externalización, la desregulación, la desterritorialización, el neoliberalismo, la obsolescencia y el capital financiero internacional en comunidades de todo el mundo” </span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">ENG</span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">Morgan Craig (Philadelphia) is a painter, teacher and Master of Fine Arts in Painting at Philadelphia University. His travelling spirit has led him to exhibit and participate in residencies in Europe, Africa and China. "I believe that architectural structures, which act as both repositories and vehicles of memory, profoundly influence culture and identity by providing a tangible framework through which facets of a society can be expressed. Consequently, I have been inspired to create a body of work that addresses how the types of architectural buildings present in a given landscape influence identity. My work is not merely a method of documentation, but a socio-economic and socio-political commentary on the effects of arrogance, greed, free trade, outsourcing, deregulation, deterritorialisation, neoliberalism, obsolescence and international finance capital on communities around the world".</span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><div><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"><br /></span></div><div><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">-----------------------------------------------------------------------------------------------------------------------</span></div><div><span id="docs-internal-guid-d7f738c2-7fff-5a4e-c96e-20b59ade856e"><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Arial, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Í</span><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">MPETU</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: arial;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"> Pudiéramos llamar a la obra de un artista contemporáneo, </span><span style="font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Morgan Craig</span><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">, que interesado en desentrañar qué misteriosa identidad cultural se oculta tras las estructuras arquitectónicas, depósitos en distintas latitudes: África, Rusia, China, Armenia, Irlanda, Estados Unidos, viaja creando documentos. Así llega expectante a Argentina, La Plata. Este impulso-ímpetus inédito de relevamiento, ha ejercido, a lo largo de su estadía en la Residencia Corazón, una fuerza suficiente para desenterrar el territorio escondido en cercanías: la ex Fábrica de Hielo de la Cervecería Quilmes, sumida a la arrasante vegetación y jauría excrementosa, maloliente y tóxica de las palomas del galpón lindero, con una torre de agua inacabada cual gran pilar. Hacia el lado de la vía del tren Roca, aparecen por un boquete, paisajes laterales, las pasarelas y las fosas desguazadas de maquinarias del ex Aserradero, como una inhumación de la sucesiva secuencia de edificios con basamentos exiguos. En este sentido, llega, impasiblemente, a un espacio que está alejado, a sus espaldas, el Hospital Neuropsiquiátrico Interzonal Melchor Romero, con presencias humanas invisibles, pues no aparecerán en sus obras como es habitual, sino solamente, en el estado existencial que ellas dictan a ese sufriente espacio murario.</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">Su firmeza insiste y socava el pasado, el esplendor de la Cooperativa Industrial Textil Argentina C.I.T.A. avenida hoy en recuperados talleres de artistas. Allí sus trabajadores guían una visita sin precedentes, con detallado anecdotario que dibuja-desdibuja la desintegración del trabajo, hasta llegar a la sala de máquinas, de hilados, donde Morgan asiente con la mirada: la exhumación del cadáver de hierro, aún vertebrado el esqueleto de carreteles en desuso, des-huso. </span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">Parece que la experiencia en Argentina se congela en Swift, el ex Frigorífico en la orilla de la sórdida calle Nueva York de Berisso.</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">Con las distintas interpretaciones y especulaciones a que ha dado lugar, comenzar visitando una fábrica de hielo, y terminar con un frigorífico, concluye la gélida metáfora de la actual indiferencia acerca de un espacio colosal abandonado. Morgan finalmente decide pintar su propia interpretación del que, sin duda, es el mejor retrato de la sociedad.</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">Su investigación se concreta en un lienzo de lino de medidas humanas, sin abismos, y se inicia en una obra de un interior con color, manchas, formas, en la gran tradición del arte occidental, con capas de pintura que puede ser estudiada junto a Simon Edmondson, por sus atmósferas y la destacada factura pictórica. Este artista con sus numerosas obras narra la historia de este singular proyecto, que revisa y proyecta fantasmagóricamente las condiciones de trabajo: "la arrogancia, la avaricia, el libre comercio, la subcontratación, la desregulación, la desterritorialización, el neoliberalismo, la obsolescencia y el capital financiero internacional, en las comunidades de todo el mundo" -ahora también revelado en Argentina - tal lo enuncia en su texto: ÍMPETU.</span></span></p><span style="font-family: arial;"><br /></span><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">*IMPETU: impulso, fuerza dirigida a, embestida, ataque.</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">In: hacia el interior, a veces también en contra.</span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-family: arial;">petere: dirigirse a, buscar, pedir.</span></span></p><span style="font-family: arial;"><br /></span></span></div><div><span><span style="font-family: arial;"><br /></span></span></div><div><span><span style="font-family: arial;"><div>ÍMPETU</div><div> We could call the work of a contemporary artist, Morgan Craig, who is interested in unraveling what mysterious cultural identity is hidden behind the architectural structures, deposits in different latitudes: Africa, Russia, China, Armenia, Ireland, United States, travels creating documents. Thus he arrives expectantly in Argentina, La Plata. This unprecedented survey impulse-impetus has exerted, throughout his stay at the Corazón Residence, enough force to unearth the hidden territory nearby: the former Ice Factory of the Quilmes Brewery, submerged in the sweeping vegetation and the excremental, foul-smelling and toxic pack of pigeons of the adjoining shed, with an unfinished water tower like a great pillar. Towards the side of the Roca train track, appear through a gap, lateral landscapes, the footbridges and the scrapped pits of machinery of the former sawmill, like an inhumation of the successive sequence of buildings with meager foundations. In this sense, he arrives, impassively, to a space that is far away, behind him, the Melchor Romero Interzonal Neuropsychiatric Hospital, with invisible human presences, since they will not appear in his works as usual, but only in the existential state that they dictate to that suffering wall space. His firmness insists and undermines the past, the splendor of the Cooperativa Industrial Textil Argentina C.I.T.A. (Argentine Textile Industrial Cooperative C.I.T.A.), which today has been transformed into recovered artists' workshops. There its workers guide an unprecedented visit, with detailed anecdotes that draw-blurs the disintegration of work, until reaching the machine room, the spinning room, where Morgan settles with his gaze: the exhumation of the iron corpse, still vertebrate the skeleton of disused, disused reels. </div></span></span><div><span style="font-family: arial;">It seems that the experience in Argentina is frozen in Swift, the former meat packing plant on the edge of Berisso's seedy New York Street.</span></div><div><span style="font-family: arial;">With the various interpretations and speculations to which it has given rise, starting with visiting an ice factory, and ending with a refrigerator, the icy metaphor of the current indifference about a colossal abandoned space concludes. Morgan finally decides to paint his own interpretation of what is undoubtedly the best portrait of society.</span></div><div><span style="font-family: arial;">His research takes shape on a linen canvas of human dimensions, without abysses, and begins in a work of an interior with color, stains, shapes, in the great tradition of Western art, with layers of paint that can be studied together with Simon Edmondson, for its atmospheres and outstanding pictorial workmanship. This artist with his numerous works tells the story of this singular project, which ghostly revises and projects working conditions: "arrogance, greed, free trade, outsourcing, deregulation, deterritorialization, neoliberalism, obsolescence and international financial capital, in communities around the world" -now also revealed in Argentina- as stated in his text: ÍMPETU.</span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">*IMPETU: impulse, force directed to, onslaught, attack.</span></div><div><span style="font-family: arial;">In: inward, sometimes also against.</span></div><div><span style="font-family: arial;">petere: to turn to, to seek, to ask for.</span></div></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><b> Fernanda Piamonte/ Asistencia Curatorial</b></span></div><div><span style="font-family: arial;"><b> <a href="https://www.instagram.com/fernandapiamontiarte/">https://www.instagram.com/fernandapiamontiarte/</a></b></span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-642171793339854712024-01-08T05:51:00.000-08:002024-01-08T05:51:11.522-08:00Daniela Compagnon/ La ciudad viajera/ junio 2023<p> </p><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFcDwX3PppmPQfSv-5qoVJkUTtC4N6rZRbHZRAqAog_FNTMDuSrOsOcST7lvm0Hr4dC6UtNrSyXT7WAlhyphenhyphenEv4av0eiWIqTh0xiHesx7KVS8CEecGarau-7QIAOaMXpDp-BQ-S3R9RdA7LxOCD2ErlQYfBW1YbZWOlV4U9IrQpwkoce2p7R41TB/s4000/IMG_20230627_190044.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFcDwX3PppmPQfSv-5qoVJkUTtC4N6rZRbHZRAqAog_FNTMDuSrOsOcST7lvm0Hr4dC6UtNrSyXT7WAlhyphenhyphenEv4av0eiWIqTh0xiHesx7KVS8CEecGarau-7QIAOaMXpDp-BQ-S3R9RdA7LxOCD2ErlQYfBW1YbZWOlV4U9IrQpwkoce2p7R41TB/s320/IMG_20230627_190044.jpg" width="240" /></a></div><br /><p><br /></p><p>Mi trabajo es una reflexión.</p><p>Focalizo la mirada en figuras constructivas industriales y lugares (paisajes abiertos),</p><p>encontrando maneras de trabajar con ambos elementos. He utilizado materiales</p><p>industriales, como ductos de ventilación y cintas de medición, entre otros. Me</p><p>interesa su capacidad modular y su brillo para construir formas geométricas,</p><p>inactivas y variables. Creo situaciones determinadas que concreto mediante</p><p>esculturas, acciones en el paisaje, materiales audiovisuales, fotografías. También</p><p>con estudios sobre la línea, los límites, las huellas industriales, lo efímero en relación</p><p>a la escala humana en el horizonte y el espacio.</p><p>Dedicada a la escultura, tuve la extrema necesidad de mover y trasladar mi arte</p><p>adonde lo necesitara. Terminé especializándome en el transporte y arthandling de</p><p>obras y objetos de manera independiente. Llamé amigos para trabajar e hice un</p><p>emprendimiento llamado Flete Arte. Este ha sido una constante construcción de</p><p>trabajo, algo totalmente necesario, echo junto a otres artistas, trabajadores de la</p><p>cultura y productores de arte en general. Luego concebí Arthandler Chile, otra</p><p>propuesta que busca funcionar como red de apoyo para artistas y que, por el</p><p>momento, ha funcionado en montajes de exposiciones.</p><p><br /></p><p>Me gusta estar en constante movimiento y Flete Arte me permite resolverlo como</p><p>artista, desarrollando un ojo especial, activando todos mis sentidos y trabajando con</p><p>todo mi cuerpo. Pero también resulta ser una misión muy emocional, con el miedo</p><p>natural que genera el momento de hacer algo muy importante, al tener que mover</p><p>algo de gran valor. Trabajo asumiendo una responsabilidad. Esto podría ser también</p><p>una performance constante, una manera de reflexionar y resolver problemáticas</p><p>prácticas de los objetos en sí. Eso es una de las cosas que más he admirado, por mis</p><p>propios intereses como escultora.</p><p>Volver a mi producción artística ha sido necesario después de haber aprendido</p><p>mucho con el arte de otres. Sentí la necesidad de retomar la escultura y la búsqueda</p><p>de nuevos aprendizajes. Así llegué a conocer el oficio de la orfebrería, me</p><p>impresioné con ese mundo nuevo, que ahora es parte de mi vida. Trabajo con las</p><p>mismas dialécticas y funcionamientos de las esculturas de gran formato, pero</p><p>llevadas a la monumentalidad de formas pequeñas y brillantes. Pongo en juego las</p><p>percepciones de une como persona y las de los objetos, que guían a un nuevo</p><p>concepto de espacialidad.</p><p>----------------------------------------------------------------------------------------------------------------</p><p>The Travelling City</p><p>My work is a reflexion.</p><p>I focus my gaze on industrial constructive figures and places (open landscapes),</p><p>finding ways to work with both elements. I have used industrial materials, such as</p><p>ventilation ducts and measuring tapes, among others. I am interested in their</p><p>modular capacity and their brilliance to construct geometric, inactive and variable</p><p>forms. I create specific situations that I make concrete through sculptures, actions in</p><p>the landscape, audiovisual materials, photographs. Also with studies on the line,</p><p>limits, industrial traces, the ephemeral in relation to the human scale in the horizon</p><p>and space.</p><p>Dedicated to sculpture, I had the extreme need to move and transfer my art</p><p>wherever I needed to. I ended up specialising in transporting and arthandling works</p><p>and objects independently. I called friends for work and started a business called</p><p>Flete Arte. This has been a constant construction of work, something totally</p><p>necessary, done together with other artists, cultural workers and art producers in</p><p>general. Then I conceived Arthandler Chile, another proposal that seeks to function</p><p>as a support network for artists and that, for the moment, has worked in the setting</p><p>up of exhibitions.</p><p><br /></p><p>I like to be in constant movement and Flete Arte allows me to resolve this as an</p><p>artist, developing a special eye, activating all my senses and working with my whole</p><p>body. But it also turns out to be a very emotional mission, with the natural fear that</p><p>comes with the moment of doing something very important, having to move</p><p>something of great value. I work with a responsibility. This could also be a constant</p><p>performance, a way of reflecting and solving practical problems of the objects</p><p>themselves. That is one of the things I have admired most, because of my own</p><p>interests as a sculptor.</p><p>Returning to my artistic production has been necessary after having learnt a lot with</p><p>the art of otters. I felt the need to return to sculpture and the search for new</p><p>learning. That&#39;s how I got to know the craft of jewelry, I was impressed by this new</p><p>world, which is now part of my life. I work with the same dialectics and functions of</p><p>the large format sculptures, but taken to the monumentality of small and brilliant</p><p>forms. I bring into play the perceptions of one as a person and those of the objects,</p><p>which lead to a new concept of spatiality.</p><p><br /></p><p><a href="https://www.instagram.com/danielacompagnon/">https://www.instagram.com/danielacompagnon/</a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-29664553124214645522023-12-19T04:50:00.000-08:002023-12-19T04:55:29.301-08:00Jade Langevin/ Artista en Residencia/ mayo 2023<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicocYzeSmGgPcQX9hZhYDTfurx7DAZOKJVCjaQx7Ub35XJUR98Ws5WfNsYB1u4Svjf5DeCqLgKdvI8Hh2-lzJSNZlShpn7Zk_Z0l3fGN9XBG729T73Cm2px6cbNYOST_Vv7EmKDmpMtotlmwoczGHWYlC7PBq9hkZoxgoq1cxOW_z9DZIlBwdN/s4000/IMG_20230526_232500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicocYzeSmGgPcQX9hZhYDTfurx7DAZOKJVCjaQx7Ub35XJUR98Ws5WfNsYB1u4Svjf5DeCqLgKdvI8Hh2-lzJSNZlShpn7Zk_Z0l3fGN9XBG729T73Cm2px6cbNYOST_Vv7EmKDmpMtotlmwoczGHWYlC7PBq9hkZoxgoq1cxOW_z9DZIlBwdN/s4000/IMG_20230526_232500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEbg7N37gQ4nYmw7Ra8ATALnhXwtYE8UIn4lKYPLu_ll1pNoEvhf_pXygN-_0uZkB1efAXDSpIlo1XewairR_sZIiOZgAzP6cRKOlF09m7zpgAohtXd_ViSIbcZpCHb_qXbnz62DFSSRmz27H3xyKBicSlse7MO9lu1u2e58Oq7WBwJ7Zr0kl/s4000/IMG_20230513_144349.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEbg7N37gQ4nYmw7Ra8ATALnhXwtYE8UIn4lKYPLu_ll1pNoEvhf_pXygN-_0uZkB1efAXDSpIlo1XewairR_sZIiOZgAzP6cRKOlF09m7zpgAohtXd_ViSIbcZpCHb_qXbnz62DFSSRmz27H3xyKBicSlse7MO9lu1u2e58Oq7WBwJ7Zr0kl/s320/IMG_20230513_144349.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicocYzeSmGgPcQX9hZhYDTfurx7DAZOKJVCjaQx7Ub35XJUR98Ws5WfNsYB1u4Svjf5DeCqLgKdvI8Hh2-lzJSNZlShpn7Zk_Z0l3fGN9XBG729T73Cm2px6cbNYOST_Vv7EmKDmpMtotlmwoczGHWYlC7PBq9hkZoxgoq1cxOW_z9DZIlBwdN/s320/IMG_20230526_232500.jpg" width="240" /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8023nC81rjeF3lPR1h_aVKZd_0pkN4M0tlcXvcOW1jymUFv4agnwhJw-qWfRIWajr_Xfei-fUnD1viJw2e-NffvvVFv3YcAgKnQwzQIRUd6ZPQLpI47PbemiDiarbQ5YgZafC_qxIac3EY2IK-PwBSxsSnZJka_7PZ8yb4mNw7ZO-uEfZeR3c/s4000/IMG_20230516_143402.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8023nC81rjeF3lPR1h_aVKZd_0pkN4M0tlcXvcOW1jymUFv4agnwhJw-qWfRIWajr_Xfei-fUnD1viJw2e-NffvvVFv3YcAgKnQwzQIRUd6ZPQLpI47PbemiDiarbQ5YgZafC_qxIac3EY2IK-PwBSxsSnZJka_7PZ8yb4mNw7ZO-uEfZeR3c/s320/IMG_20230516_143402.jpg" width="240" /></a></div><p><br /></p><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"><b>JADE LANGEVIN </b> (Canadá, 1996)</span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /><p></p><p><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">- Jade es egresada en Diseño gráfico de la Universidad de Quebec en Montreal</span><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"> y eligió nuestro proyecto para viajar por primera vez a Argentina y continuar su búsqueda artística más allá de los límites de sus diversos trabajos en marketing y la gráfica. Aquí su link para ver trabajos: </span><br style="animation-name: none !important; background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; transition-property: none !important;" /></p><p><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;">- Jade Langevin (Quebec, 1996) is a graduate in Graphic Design from the University of Quebec in Montreal and chose our project to travel for the first time to Argentina and continue her artistic search beyond the limits of her various works in marketing and graphics.</span></p><p><br /></p><p><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/pastel.cocktail/" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: white; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; list-style: none; margin: 0px; outline: none; padding: 0px; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">@pastel.cocktail</a><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"> </span></p><p><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"><a href="http://msha.ke/pastelcocktail">msha.ke/pastelcocktail</a></span></p><div><span style="background-color: white; font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px;"><br /></span></div><p><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-39954283496536380942023-08-22T07:45:00.000-07:002023-08-22T07:45:06.804-07:00Rosana Ybarra/ Proyecto Re Nacimiento<p> </p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjslb4iQMirsU62NXmd3Ux2A3o_CBQwqpydHD-Ag9xYRzApH7l00gcI_1lMoX9hwMve1_U-CfdN7beCFJeHOsvLGwxk8SjsEkVrFXZgSQvqkHyxOwrQyVKNmed9oIvOPVR0jHiXUfpoAgt64FmCJdLwo1eTl8QBh9wh4dIYpFRRFI15uSWLSiPl/s4000/20230605_190707.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjslb4iQMirsU62NXmd3Ux2A3o_CBQwqpydHD-Ag9xYRzApH7l00gcI_1lMoX9hwMve1_U-CfdN7beCFJeHOsvLGwxk8SjsEkVrFXZgSQvqkHyxOwrQyVKNmed9oIvOPVR0jHiXUfpoAgt64FmCJdLwo1eTl8QBh9wh4dIYpFRRFI15uSWLSiPl/s320/20230605_190707.jpg" width="240" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8tzsTtI3M180uIK4QO1NMh6tDAMUGIg_AmhKCCb3iv4RPqtBZ49HeI5YPQKzuMgApUERmwYxW9CjA0VdpNRILLbvXK91gDhpVUt5CM4Ggr9L_90S4jI9NLEoo6__ppStSg_1_lxY0wobiwA4GrPI1r4rxb0Cb4SjtFtt-szcrApjD4iHKXUgE/s4000/IMG_20230609_195837.jpg" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvKoUSjSQkguwkaCTDFfaU6CU61_QC7l-1cqnfIgUmtPvVz2bD0zyW5wlsSph6UDCm4kJCn00mTEksvLbfERNuNlR86X8IO2iHZvOM7IeP4LLj1a91lKKP3uXVFo9k6moXFDaowVMuBC-5lYsH78NWk1Ordt-H30l-W4bJFVQyf7TT3lJF4xij/s4000/IMG_20230615_194310.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvKoUSjSQkguwkaCTDFfaU6CU61_QC7l-1cqnfIgUmtPvVz2bD0zyW5wlsSph6UDCm4kJCn00mTEksvLbfERNuNlR86X8IO2iHZvOM7IeP4LLj1a91lKKP3uXVFo9k6moXFDaowVMuBC-5lYsH78NWk1Ordt-H30l-W4bJFVQyf7TT3lJF4xij/s320/IMG_20230615_194310.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkaB2eLg1hFwBOSfD6qWPe5PPqtCdDoLpxlFkFep7uU6C7em-L1QAEqN8gd0qxdRnwvolpdLGVb-YkmMwRyQLcp7Lq8ptpRvxQYB527IqOayfGY2k28IAbplU7GDCpbsiDVCX7Yz_LNooETcx_KEA0VZcwinhhNi4EAm7KCykNatIeI0BNnzH/s4000/IMG_20230615_182610.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkaB2eLg1hFwBOSfD6qWPe5PPqtCdDoLpxlFkFep7uU6C7em-L1QAEqN8gd0qxdRnwvolpdLGVb-YkmMwRyQLcp7Lq8ptpRvxQYB527IqOayfGY2k28IAbplU7GDCpbsiDVCX7Yz_LNooETcx_KEA0VZcwinhhNi4EAm7KCykNatIeI0BNnzH/s320/IMG_20230615_182610.jpg" width="240" /></a></div><br /><p></p><p><span style="background-color: white;"><span style="font-family: arial;"><br /></span></span></p><p><span style="background-color: white;"><span style="font-family: arial;">ROSANA DAWN YBARRA (USA-BRASIL, 1986)</span></span></p><span style="font-family: arial;"><span style="background-color: white;">Rosana es una experimentada artista con un Máster en Bellas Artes en la Universidad de Nebraska. Trabajó en las universidades de Portland y Oregon (EE:UU:), donde también realizó exhibiciones en diversos espacios e instituciones. Actualmente reside en Brasil. “Espero concentrar mi tiempo en un proyecto que ha tardado mucho en llegar. He estado compilando un archivo de escritos y dibujos desde mi mudanza. Incluye reflexiones sobre la desorientación, la crianza del niño interior, el pensamiento en nuevos idiomas y la adaptación a una nueva cultura bajo aislamiento social. También quisiera explorar la vieja tradición del dibujo automático y la comunicación a través de la canalización mediúmnica.Trabajaré este contenido en objetos, ilustraciones, performances y animaciones que eventualmente se publicarán como una colección impresa y online.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" />-----------------------------------------------------------------------------------------------------------------------------<br style="animation-name: none !important; background-color: white; transition-property: none !important;" /><span style="background-color: white;">Rosana is an experienced artist with a Master in Fine Arts from the University of Nebraska. She worked at the universities of Portland and Oregon (USA), where he also exhibited in various spaces and institutions. She currently resides in Brazil. "I hope to concentrate my time on a project that has been a long time coming. I have been compiling an archive of writings and drawings since my move. It includes reflections on disorientation, raising the inner child, thinking in new languages, and adapting to a new culture under social isolation. I would also like to explore the old tradition of automatic drawing and communication through mediumistic channeling.I will work this content into objects, illustrations, performances and animations that will eventually be published as a print and online collection.</span><br style="animation-name: none !important; background-color: white; transition-property: none !important;" /></span><div><span style="background-color: white;"><span style="font-family: arial;">-----------------------------------------------------------------------------------------------------------------------</span></span></div><div><span style="color: windowtext;"><span style="font-family: arial;">A veces, cuando alguien encuentra
un nuevo camino espiritual, dice que ha vuelto a nacer. Otros, tras una
experiencia cercana a la muerte, manifiestan que tienen una nueva oportunidad
en la vida. En la naturaleza, podemos observar fácilmente cómo la materia en
descomposición es la base de una nueva vida.</span></span></div><div>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="color: windowtext; line-height: 107%;"><span style="font-family: arial;">En muchas mitologías, el aspecto
femenino está asociado a la reproducción. Es la fuerza salvaje, intuitiva y
creativa. Desde que llegué a Residencia<i> Corazón</i>, estuve considerando lo
que significa dirigir esta fuerza creativa hacia uno mismo, en un acto
intencionado de renacimiento.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="color: windowtext; line-height: 107%;"><span style="font-family: arial;"> ¿Nacer es un acto único o sucede muchas veces
a lo largo de nuestro ciclo vital? Al igual que nuestro cuerpo se desprende
continuamente de las células muertas de la piel para que crezcan otras nuevas,
¿podemos optar por dejar que partes de nuestra vieja identidad desaparezcan
para descubrir quién puede resurgir de sus cenizas? Cuando entendemos el
proceso de nacimiento y muerte no como un principio y un final, sino como puntos
de parada en un ciclo eterno de transformación, ¿puede cambiar nuestra forma de
vivir? <o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="color: windowtext; line-height: 107%;"><span style="font-family: arial;">El <i>Proyecto Renacimiento</i> es
la primera iteración de un experimento en curso para crear obras con la
capacidad de biodegradarse rápidamente, imitando el ciclo orgánico de vida y
muerte del mundo natural. El proyecto combina inquietudes personales en torno
al envejecimiento y los procesos de renacimiento con cuestiones más amplias
sobre la interconectividad, el cambio climático y la sostenibilidad. Todos los
materiales utilizados en la exposición son de esta zona y completamente nuevos
para mí: junco, mimbre, bioplásticos hechos de algas y pigmentos naturales. Las
formas adoptan el vocabulario de alas, capullos, órganos y piel desprendida,
invitando al espectador a imaginarse a sí mismo en este proceso de
transformación.</span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="font-family: arial;"><b><i><u><span lang="EN-US" style="color: windowtext; line-height: 107%;">The
Rebirthing Project</span></u></i></b><b><u><span lang="EN-US" style="color: windowtext; line-height: 107%;"><o:p></o:p></span></u></b></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span lang="EN-US" style="color: windowtext; line-height: 107%;"><span style="font-family: arial;">Sometimes,
when someone finds a new spiritual path, the say they are born again. Others,
after a near-death experience, say they got a new chance at life. In nature, we
can easily observe how decomposing matter is the foundation for new life. <o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span lang="EN-US" style="color: windowtext; line-height: 107%;"><span style="font-family: arial;">Throughout
many mythologies, the feminine aspect is associated with reproduction. It is
wild, intuitive, creative force. Since I arrived at <i>Residencia Corazón</i>,
I have been considering what it means to aim this creative force toward one’s
self, in an intentional act of rebirth.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span lang="EN-US" style="color: windowtext; line-height: 107%;"><span style="font-family: arial;"> Is being born a one-time act, or does it
happen many times throughout our life cycle? Like the way our bodies
continuously shed dead skin cells and grow new ones, can we choose to let parts
of our old identities go to discover who might rise from the ashes? When we
understand the birth and death process not as a beginning and end, but as
stopping points in an eternal cycle of transformation, can it change the way we
live? <o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 107%; margin-bottom: 8.0pt;"><span style="font-family: arial;"><a name="_Hlk136943234"><i><span lang="EN-US" style="color: windowtext; line-height: 107%;">The Rebirthing Project</span></i></a><span lang="EN-US" style="color: windowtext; line-height: 107%;"> </span><span lang="EN-US" style="color: windowtext; line-height: 107%;">is the first iteration of an ongoing experiment
to create artwork with the capacity biodegrade rapidly, mimicking the organic
life and death cycle of the natural world. The project combines personal
concerns around aging and re/birthing processes with larger issues around
interconnectivity, climate change and sustainability. All of the materials used
in the exhibition are completely new to me and from this area: junco, mimbre,
bioplastics made from algae and natural pigments. The forms take the vocabulary
of wings, cocoons, organs and peeling skin, inviting the viewer to imagine
themselves in this process of transformation.</span></span></p></div><div><a href=" rosanaybarra.com" target="_blank"><span style="font-family: arial;"> rosanaybarra.com</span></a></div><div>-----------------------------------------------------------------------------------------------------------------------------</div><div><p class="Standard"><span style="font-family: arial;">Los procesos creativos son tan
variados y amplios como personas y proyectos existen.<o:p></o:p></span></p>
<p class="Standard"><span style="font-family: arial;"><o:p> </o:p>Aun encontrando tendencias y
puntos en común, lo inesperado de las búsquedas y los procesos investigativos
es lo que mantiene a las artes (o más, al conocimiento en general), indomables.</span></p>
<p class="Standard"><span style="font-family: arial;"><o:p> </o:p><i>Rosana Ybarra</i> decidió en este proyecto colocar una obstrucción en
su tránsito: evitar los materiales que no fueran biodegradables. Pero esta
pauta no fue una decisión caprichosa, un obstáculo lúdico cuasi-vanguardista
para arribar a <i>lo</i> <i>original</i>. Fue una decisión política consciente:
alejarse del ego de artista que pretende que sus obras le sobrevivan <i>in
aeternum</i>. Aportar un poco menos al daño generalizado sin dejar de poetizar.
Como en cualquier ecosistema, esa decisión modificó otras y así comenzaron a
filtrarse en su trabajo materiales, procedimientos, tiempos propios de la
naturaleza. Pequeños gestos que hablan de una observación y una comprensión de
las necesidades del medio mismo.</span></p><p class="Standard"><span style="font-family: arial;"><o:p></o:p></span></p>
<p class="Standard"><span style="font-family: arial;"><o:p> </o:p>Lo que Rosana persigue
modestamente es que sus obras puedan volver a la tierra, cuando ella en su
carácter nómada lo necesite o cuando la temporalidad de la materia lo
decida. </span></p>
<p class="Standard"><span style="font-family: arial;"><o:p> </o:p>Rosana llegó a una ciudad
húmeda y aprendió a aceptar los ritmos y respiraciones de los materiales en
relación a ella. Asimiló que la humedad se debe a las características de una
región ribereña. Entonces fue al río y a sus recursos. Conoció el mimbre y a
quienes lo trabajan. Se empapó de esos saberes-haceres locales y los incorporó
en su producción. El resultado es un ecosistema de formas, materiales,
texturas, brillos que parecieran contradecirse cuando aparece algún elemento
que nos remite al plástico o al metal. Pero eso nos sirve como gatillo para
recordar la potencia de la naturaleza cercana.</span></p>
<p class="Standard"><span style="font-family: arial;"><o:p> </o:p>Quizás eso sea parte de la
militancia silenciosa de Rosana: contagiarnos su entusiasmo y percibir nuestro
entorno natural cotidiano con mirada asombrada, atenta, novedosa, como si
estuviéramos conociendo esta región, como si nosotrxs también fuéramos artistas
viajerxs en residencia.</span></p><p class="Standard"><b><span style="font-family: arial;">Mariel Uncal Scotti/
Curadora</span></b></p><p class="Standard"><span style="font-family: arial;"><o:p></o:p></span></p>
<p class="Standard"><o:p><span style="font-family: arial;"> </span></o:p></p><br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-83630963512279770392023-08-04T08:36:00.001-07:002023-08-04T08:36:44.284-07:00Clara Liekmeier/ Artista en Residencia/ marzo-abril 2023<p><br /></p><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="animation-name: none !important; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span><span style="font-family: inherit;"><b><i><br /></i></b></span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span style="font-family: inherit;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb5AELbYL2oQMBjAtM_nA40j-rh_K-JG41fnDVx8x_NZPXc7aHnEmMD0SZ-R-opygdeyw0Ts7YDalUNs2-9us3QST8Y2z1rJZFzh4fm4_AxbnOUobFjvla2QbpL67oPDFkw0KW13A0Fg8LE3JsIAOK8JsbH7BLHg8bswphkKSdrhCWIUJ6iek/s1080/338344473_521457753500653_422473136828715969_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb5AELbYL2oQMBjAtM_nA40j-rh_K-JG41fnDVx8x_NZPXc7aHnEmMD0SZ-R-opygdeyw0Ts7YDalUNs2-9us3QST8Y2z1rJZFzh4fm4_AxbnOUobFjvla2QbpL67oPDFkw0KW13A0Fg8LE3JsIAOK8JsbH7BLHg8bswphkKSdrhCWIUJ6iek/s320/338344473_521457753500653_422473136828715969_n.jpg" width="320" /></a></div><br /><i><br /></i></b></span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span style="font-family: inherit;"><b><i><br /></i></b></span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span style="font-family: inherit;"><b><i>Clara Liekmeier </i></b>(Alemania-Suiza, 1991).</span></div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span> </div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span><span style="font-family: inherit;">Esta residencia se propone como pausa en medio de un largo viaje. Como una forma más de búsqueda, nuevos aprendizajes y desafíos internos que se vuelquen en obras.”Como pintor autodidacta, trabajo sobre todo en proyectos que están profundamente ligados a mi historia personal. En la residencia me gustaría confirmar mi identidad de artista y estilo de pintura. Me gustaría tener nuevos desafíos y aprender a poner más de mi personalidad en mis obras”</span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">---------------------------------------------------------------------------------------------------------------</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; background-color: white; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important;"><div dir="auto" style="animation-name: none !important; color: #050505; font-family: inherit; font-size: 15px; transition-property: none !important; white-space-collapse: preserve;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span><br /></div><div dir="auto" style="animation-name: none !important; color: #050505; font-family: inherit; font-size: 15px; transition-property: none !important; white-space-collapse: preserve;">This residency is proposed as a pause in the middle of a long trip. As another form of research, new learning and internal challenges that are turned into works.”As a self-taught painter, I mainly work on projects that are deeply linked to my personal history. In the residency I would like to confirm my identity as an artist and painting style. I would like to have my work challenged and learn to put more of my personality into my works”</div><div dir="auto" style="animation-name: none !important; color: #050505; font-family: inherit; font-size: 15px; transition-property: none !important; white-space-collapse: preserve;"><br /></div><div dir="auto" style="animation-name: none !important; transition-property: none !important;"><span style="color: #050505; font-family: Segoe UI Historic, Segoe UI, Helvetica, Arial, sans-serif;"><span style="font-size: 15px; white-space-collapse: preserve;"><a href="https://www.instagram.com/clara.liek/">https://www.instagram.com/clara.liek/</a></span></span></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-26668922126716258492023-08-02T05:54:00.000-07:002023-08-02T05:54:23.236-07:00Nate Larson/ Artista en Residencia/ febrero 2023<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhATqlQY0Bq-iyqsmUC44Rou5cBItqeH4WUcb4t9NWS4pHtWdSaIEguCxJD9ZUYLTNmoCOrGvWSworhX22sY0V5T86fyA58A1FaBiQQRgu5fIkhhogjIErMx89VIQMOETuTKjWzJLdwW84QyUW-_ZSbZ2ZrQG0QN8S0YCLWlfdA0dD-tbCx6PFa/s1080/328865288_9109757302382811_4516535611637342578_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhATqlQY0Bq-iyqsmUC44Rou5cBItqeH4WUcb4t9NWS4pHtWdSaIEguCxJD9ZUYLTNmoCOrGvWSworhX22sY0V5T86fyA58A1FaBiQQRgu5fIkhhogjIErMx89VIQMOETuTKjWzJLdwW84QyUW-_ZSbZ2ZrQG0QN8S0YCLWlfdA0dD-tbCx6PFa/s320/328865288_9109757302382811_4516535611637342578_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEDu1QtZXmZoU3LIxVoz8yiXsBHJ_Za2NKv4WnMusOjUbRJcJOg0ri-TMfjJ7sx40IvVvqrQhCSMcqVe1aJf750C-7BfOi8tZ4I4Zc0tusCR1Vu0QiTeQ3vTi-_3Uzrd-VDs3RFlo_woKZZ2ZIIrc1rX1MOrPf_Vpl5mJT2mU3ZZdTkmu7frN/s720/329815819_5689610584501465_424622140707392647_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEDu1QtZXmZoU3LIxVoz8yiXsBHJ_Za2NKv4WnMusOjUbRJcJOg0ri-TMfjJ7sx40IvVvqrQhCSMcqVe1aJf750C-7BfOi8tZ4I4Zc0tusCR1Vu0QiTeQ3vTi-_3Uzrd-VDs3RFlo_woKZZ2ZIIrc1rX1MOrPf_Vpl5mJT2mU3ZZdTkmu7frN/s320/329815819_5689610584501465_424622140707392647_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH03VdEUpLZ31aOUQ21XDXJ0k91K-zS_mBmcag76vja0yqHClrs83gOXkEodo6N2WpbytYjnnbW22C8EZI_Zz8hQpl6MBcBH5R7SprIS1kuzkpREo228OZIhF0rGsk8iEG8iegFjw0GQSup9k_2jZ7IijM-VLzVYJ1Mee4o4VCsoa0P_1Bm2s5/s1080/331372744_691384649386142_1083133674111838554_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH03VdEUpLZ31aOUQ21XDXJ0k91K-zS_mBmcag76vja0yqHClrs83gOXkEodo6N2WpbytYjnnbW22C8EZI_Zz8hQpl6MBcBH5R7SprIS1kuzkpREo228OZIhF0rGsk8iEG8iegFjw0GQSup9k_2jZ7IijM-VLzVYJ1Mee4o4VCsoa0P_1Bm2s5/s320/331372744_691384649386142_1083133674111838554_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbRmy9DAgedcB2g0H_FjZiIqcEk2A0X72ust8uLlr0ebgAzyKrQ5MwAMs4dnT1DJqS5FrJ5KbnY_1G2Rf37yyWezBPXXjV-zL-p3EPYwmac9SMcr3bc_dWQoPQYuYatGFOl4mMdTfRBisVM_SC8S8Ydb5SIPHNuPFCSd3riDd9cIkaI3lwO_l/s1080/331476136_728900428745694_5902752326385896363_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbRmy9DAgedcB2g0H_FjZiIqcEk2A0X72ust8uLlr0ebgAzyKrQ5MwAMs4dnT1DJqS5FrJ5KbnY_1G2Rf37yyWezBPXXjV-zL-p3EPYwmac9SMcr3bc_dWQoPQYuYatGFOl4mMdTfRBisVM_SC8S8Ydb5SIPHNuPFCSd3riDd9cIkaI3lwO_l/s320/331476136_728900428745694_5902752326385896363_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwU_HPwU-iQiQw6lnXCkw3y9gjFS51-z1cIPY-voAAnjYZJXqGVs1m4KhkoSLGt1TW_BAQj8vB-rn3EOWQcJwuG-rP3MUaMF9bAcqySBirq78ykO3ZcL6dAC_f8zcWMoKkxul5iHlTCAPfTG2PSUxMmi_Opc4XfnmRX7RmjnAHEZko4aC1ZkD7/s720/331640340_1587435571780793_2769257940276074031_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwU_HPwU-iQiQw6lnXCkw3y9gjFS51-z1cIPY-voAAnjYZJXqGVs1m4KhkoSLGt1TW_BAQj8vB-rn3EOWQcJwuG-rP3MUaMF9bAcqySBirq78ykO3ZcL6dAC_f8zcWMoKkxul5iHlTCAPfTG2PSUxMmi_Opc4XfnmRX7RmjnAHEZko4aC1ZkD7/s320/331640340_1587435571780793_2769257940276074031_n.jpg" width="320" /></a></div><p><br /></p><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><span style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><a style="animation-name: none !important; color: #385898; cursor: pointer; font-family: inherit; transition-property: none !important;" tabindex="-1"></a></span><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span><span style="font-family: inherit;"><b><i>Nate</i></b><i style="font-weight: bold;"> Larson</i></span><span style="font-family: inherit;"> (USA, Baltimore, 1976) Soy un artista contemporáneo y documentalista residente en Baltimore que trabaja con medios fotográficos, libros de artista, instalaciones que responden al lugar y medios basados en el tiempo. Mis proyectos se han expuesto en </span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">EE.UU. y Europa, así como en numerosas publicaciones y medios de comunicación.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">Además de mi práctica artística, soy profesor- jefe del Departamento de Fotografía del MICA / Maryland </div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">Institute College of Art en Baltimore.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">Mis obras de arte forman parte de las colecciones permanentes del George Eastman Museum, High Museum Atlanta, </div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">el Crystal Bridges Museum of American Art, el Orlando Museum of Art, el Portland Art Museum, el </div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">Museo de Bellas Artes Houston, Museo Contemporary Photography Chicago, entre otros.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;">---------------------------------------------------------------------------------------------------------------</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"><br /></span></div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">I am a Baltimore-based contemporary artist and documentarian working with photographic media, artist books, site-responsive installations, and time-based media. My projects have been widely exhibited across </div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">the US and internationally as well as featured in numerous publications and media.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">In addition to my artistic practice, I am a Professor in the Photography Department at MICA / Maryland </div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">Institute College of Art in Baltimore.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">My artwork is held in the permanent collections of the George Eastman Museum, High Museum Atlanta, </div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">Crystal Bridges Museum of American Art, the Orlando Museum of Art, Portland Art Museum, the Museum of Fine Arts Houston, and the </div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;">Museum of Contemporary Photography Chicago, among others.</div><div dir="auto" style="animation-name: none !important; font-family: inherit; font-size: 15px; transition-property: none !important;"><br /></div><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1fey0fg" href="http://www.natelarson.com" original_target="http://www.natelarson.com/?fbclid=iwar2zipgrquievtghgpdetwciauudzltgbbe7nm4fnmup_quh51jvkrb7he8" rel="nofollow noreferrer" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0" target="_blank" waprocessedanchor="true" waprocessedid="ut5z"><span style="font-size: medium;">www.natelarson.com</span></a></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-39103694251745561452023-08-02T05:16:00.000-07:002023-08-02T05:16:00.990-07:00Kristi Dick/ Escritora en Residencia-Writer in Residence/ Febrero 2023<div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="animation-name: none !important; background-color: white; margin: 0px; overflow-wrap: break-word; transition-property: none !important;"><div dir="auto" style="animation-name: none !important; color: #050505; font-family: inherit; font-size: 15px; transition-property: none !important; white-space-collapse: preserve;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRA0fmcUWdN-wjDSwnj2E6W2KSsk_fl_v4lpKIdnKVlcbxyCKpYkwVKhqpKUBwVFVBc4joDrEDFe3mWY2FILije3Jw_-r859w9kk27I5mJGLJuRtLBPY8rIZNY2EQZHz277RtCOiJpRPUPOsGQzX2ezk5_pZ5eTBi-pv6H3t1qRmM019oxBpem/s720/329637586_1879865389034045_4037473560030215368_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRA0fmcUWdN-wjDSwnj2E6W2KSsk_fl_v4lpKIdnKVlcbxyCKpYkwVKhqpKUBwVFVBc4joDrEDFe3mWY2FILije3Jw_-r859w9kk27I5mJGLJuRtLBPY8rIZNY2EQZHz277RtCOiJpRPUPOsGQzX2ezk5_pZ5eTBi-pv6H3t1qRmM019oxBpem/s320/329637586_1879865389034045_4037473560030215368_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9b_LHWGWep2ikhsNY98J8eL2tsEcVrzoRonS1imDpellvPoAqE6alZY0iorXdBM6Bbhs1mSmARtqtyV3AfFwWGlWR99BwO6igMaEzbjmgqe2ws_vIvfbjXL5jUdA4Lf0tNb2HTCeLs1R503wlDrY545H1sO5ZqdY8Cwwr4P9b6VBu4gObFAdy/s1080/331499050_576990780988320_7457639869274700174_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9b_LHWGWep2ikhsNY98J8eL2tsEcVrzoRonS1imDpellvPoAqE6alZY0iorXdBM6Bbhs1mSmARtqtyV3AfFwWGlWR99BwO6igMaEzbjmgqe2ws_vIvfbjXL5jUdA4Lf0tNb2HTCeLs1R503wlDrY545H1sO5ZqdY8Cwwr4P9b6VBu4gObFAdy/s320/331499050_576990780988320_7457639869274700174_n.jpg" width="320" /></a></div></div><div dir="auto" style="animation-name: none !important; color: #050505; transition-property: none !important; white-space-collapse: preserve;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div dir="auto" style="animation-name: none !important; color: #050505; transition-property: none !important; white-space-collapse: preserve;"><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important;"><div dir="auto" style="animation-name: none !important; transition-property: none !important;"><span style="font-family: arial; font-size: medium;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span><i><b>Kristi Dick </b></i>(USA, 1972) Residente de nuestro programa P3 <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/escritora?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#escritora</a></span> /<span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/investigadora?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#investigadora</a></span> tiene una gran trayectoria como guionista, ha trabajado para Disney, Marvel, Netflix entre otros mega. Vino a investigar y trabajar y escribir sobre <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/arteurbano?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#arteurbano</a></span> y porqué no sobre <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/cafe?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#cafe</a></span> <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/cafeteria?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#cafeteria</a></span> </span></div><div dir="auto" style="animation-name: none !important; transition-property: none !important;"><span style="font-family: arial; font-size: medium;">---------------------------------------------------------------------------------------------------------------</span></div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important;"><div dir="auto" style="animation-name: none !important; transition-property: none !important;"><span style="font-family: arial; font-size: medium;"><span style="animation-name: none !important; transition-property: none !important;"><a style="animation-name: none !important; color: #385898; cursor: pointer; transition-property: none !important;" tabindex="-1"></a></span><span><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"></span></span>Resident of our P3 program <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/writer?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#writer</a></span> /<span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/researcher?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#researcher</a></span> Kristi has a great background as a screenwriter, has worked for Disney, Marvel, Netflix among other mega. She came to research and work and write about <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/urbanart?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#urbanart</a></span> and why not about <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/cofeeshops?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#cofeeshops</a></span> <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/cofee?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#cofee</a></span> <span style="animation-name: none !important; transition-property: none !important;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/cofeelover?__eep__=6&__cft__[0]=AZXy_2S3yzMBvrxmJO8q8XNH4OtDLiwhpDm7wCmpwXVX-3uclZubpb48_ErHEw-NJnAMEVCtRiefNu8r2eiGA6CPNjZYuAL4fTzI72LkydCsEfcF1Ey72_uIDOxUkRkk8pjVSdH4428PCdjKSRVQzFvSaxEe2bltVdp9A537_N7Nit4SiSTDQ9pad44jl7n5uik&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none !important; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-block; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none !important;" tabindex="0">#cofeelover</a></span> </span><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none !important; display: inline-flex; font-family: inherit; font-size: 15px; height: 16px; margin: 0px 1px; transition-property: none !important; vertical-align: middle; width: 16px;"><br /></span></div></div></div><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="animation-name: none !important; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0px; overflow-wrap: break-word; transition-property: none !important; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none !important; font-family: inherit; transition-property: none !important;"><br /></div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none !important; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none !important;"><div dir="auto" style="animation-name: none !important; transition-property: none !important;"><h3 style="text-align: left;"><span style="color: #050505; font-family: Segoe UI Historic, Segoe UI, Helvetica, Arial, sans-serif; font-size: medium;"><span style="white-space-collapse: preserve;"><a href="https://www.instagram.com/fu92project/">https://www.instagram.com/fu92project/</a></span></span></h3></div></div></div><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="animation-name: none; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; margin: 0px; overflow-wrap: break-word; transition-property: none; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none; vertical-align: middle; width: 16px;"><br /></span></div><div dir="auto" style="animation-name: none; font-family: inherit; font-size: 15px; transition-property: none;">.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="animation-name: none; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space-collapse: preserve;"><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="animation-name: none; display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; transition-property: none; vertical-align: middle; width: 16px;"><br /></span></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-77548628264006220822023-08-01T12:47:00.004-07:002023-08-02T04:52:14.325-07:00Laura Pawela/ Back in RC/ diciembre 2022<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7aOmaIP9cVYGWt7VRvGhjERhUwPcjJmsqSsf-ne8tEXbHjXDCqxW3dA8tht6rItpwmxB4t2NmG92_z_OMODjuOuyMOU5G3i9lUonHE87SL7nzsXzkzvK05_VQiHLYDtpVaRRnLaqKfP0kwOnZFGOVCQQ_ga9fNUjym7JYbrc53brKDcVZzdHb/s514/16649251_10212085661006259_589329841627707800_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="514" data-original-width="514" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7aOmaIP9cVYGWt7VRvGhjERhUwPcjJmsqSsf-ne8tEXbHjXDCqxW3dA8tht6rItpwmxB4t2NmG92_z_OMODjuOuyMOU5G3i9lUonHE87SL7nzsXzkzvK05_VQiHLYDtpVaRRnLaqKfP0kwOnZFGOVCQQ_ga9fNUjym7JYbrc53brKDcVZzdHb/s320/16649251_10212085661006259_589329841627707800_n.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju0PwgijTyboOkWsVbdFO4vAOQxbtWCqVcKeRItxCaT8WuOThgldijl79jTT25-IC5bXk3xbTCJYYxRuC9EbSChdgojtvf9E4qw6W5uJ2vJZJDYrfIgKRv4lojEGC4CJN7fKhizb6wRCPmHp8UUFCiJJbfM_BkkkR4H_8BvgTH2sRXVAJkx_uZ/s4000/IMG_20221208_200948.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju0PwgijTyboOkWsVbdFO4vAOQxbtWCqVcKeRItxCaT8WuOThgldijl79jTT25-IC5bXk3xbTCJYYxRuC9EbSChdgojtvf9E4qw6W5uJ2vJZJDYrfIgKRv4lojEGC4CJN7fKhizb6wRCPmHp8UUFCiJJbfM_BkkkR4H_8BvgTH2sRXVAJkx_uZ/s320/IMG_20221208_200948.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivb1_mNm59wIXqN1LPAZ8h91Y1cZ00Hd5iZBecnhBtN2GQdNy44lxzlvKuNepv3PzcH9HF27Yf04RdtmLPdLtmWxcARWSh6V04iK2VAonXxqeV4bgVWXnoi1jHRFLK-O75cgbdD2ucWTf6-387194oLuSeKRqi2bgXa69O8RKYKN1nSB82o1Fv/s4000/IMG_20221206_123033.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivb1_mNm59wIXqN1LPAZ8h91Y1cZ00Hd5iZBecnhBtN2GQdNy44lxzlvKuNepv3PzcH9HF27Yf04RdtmLPdLtmWxcARWSh6V04iK2VAonXxqeV4bgVWXnoi1jHRFLK-O75cgbdD2ucWTf6-387194oLuSeKRqi2bgXa69O8RKYKN1nSB82o1Fv/s320/IMG_20221206_123033.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJziXuIdGV9oHgGILr4t6NCrtPKPD6gAwg87xFIJfVHCSIsJ-M0Jr-hSv_CKYI6bIu1i3_4gO1NMRMXKsvKdwU1idD-Tyh3nrwD3Z6peaB46tqwiY_RTAcOoA2-kt2XyFHHsZ9UBi16_MkwixtAJo-GaeOH_JijkdOeZ_5LoTMqFsHA2penet_/s4000/IMG_20221206_123104.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJziXuIdGV9oHgGILr4t6NCrtPKPD6gAwg87xFIJfVHCSIsJ-M0Jr-hSv_CKYI6bIu1i3_4gO1NMRMXKsvKdwU1idD-Tyh3nrwD3Z6peaB46tqwiY_RTAcOoA2-kt2XyFHHsZ9UBi16_MkwixtAJo-GaeOH_JijkdOeZ_5LoTMqFsHA2penet_/s320/IMG_20221206_123104.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p class="MsoNormal" style="margin-bottom: 18pt; vertical-align: baseline;"><span lang="EN-US">Polish visual artist born in 1977,
associated with Upper Silesia and Warsaw.<br />
She graduated from the sculpture at the Wroclaw Academy of Fine Arts in 2006,
where she led the Open Studio. She also studied at the Art Institute in Opole,
Schloss Akademie in Germany and the University of Warsaw (Marketing in
Culture).<br />
She made her debut in 2002 – project “Reallaura”, that using mobile wittily
commented on the changes in the information society.<br />
Laura Pawela is a multidisciplinary artist whose work is driven by the concept
of the imagination as a filter for reality. Her diverse practice includes
video, sculpture, drawing, installation, and other time-based works.</span></p><p class="MsoNormal" style="margin-bottom: 18pt; text-align: left; vertical-align: baseline;"><span style="text-align: center;">Pawela’s practice deals with a
myriad of themes, often associated with the exploration of the artist’s
identity and functioning, the impact of personal history on the creative
process. It also deals with topics such as utopian ideas, the influence of
politics on artistic activity or the functioning of the mechanisms of
oppression. Her works also deal with multiple realities suggested by the
characterisation of contemporary society as an Information Age, and the
interaction of the fictional, the virtual and physical.</span></p><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" style="margin-bottom: 18pt; vertical-align: baseline;"></p><div style="text-align: left;">Pawela exhibited in Poland and abroad, presented her work at about ninety
exhibitions. Their projects were realized f.e. in France (“Bathroom” / 2005),
Argentina (“Unfinished Histories” / 2008), Upper Silesia (“Untitled /
Friedrich” / 2008), Finland (“Musicam Video” / 2010-11) and most recently in
the United States (“Bloodbuzz Ohio”/ 2011).</div><div style="text-align: left;"><br /></div><span lang="EN-US"><div style="text-align: left;">Her works are in private and public collections, both Polish and foreign
(Museum of Contemporary Arts/Wroclaw, Arsenal/Bialystok, Bunkier Sztuki and
others)</div><div style="text-align: left;">She has won many awards and scholarships (6th Competition of Polish
Paintings/Wroclaw, “Young Poland” scholarship, Visegrad Fund Scholarship), was
nominated for Polityka’s Passport in 2004, her works were also presented in
many catalogs and publications.</div><div style="text-align: left;"><a href="goog_948439083"><br /></a></div><div style="text-align: left;"><a href="http://laurapawela.net">laurapawela.net</a></div><div style="text-align: left;"><br /></div></span><p></p><p class="MsoNormal" style="margin-bottom: 18pt; vertical-align: baseline;"><br /></p><p class="MsoNormal" style="margin-bottom: 18pt; vertical-align: baseline;"><a data-ved="2ahUKEwi9xOuxnLyAAxUEMjUKHQf5BtgQFnoECB8QAQ" href="https://laurapawela.net/" jsaction="rcuQ6b:npT2md" jscontroller="M9mgyc" jsname="qOiK6e" ping="/url?sa=t&source=web&rct=j&opi=89978449&url=https://laurapawela.net/&ved=2ahUKEwi9xOuxnLyAAxUEMjUKHQf5BtgQFnoECB8QAQ" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0.1); background-color: white; color: #1a0dab; font-family: arial, sans-serif; font-size: small; outline: 0px; text-align: left;" waprocessedanchor="true"></a></p><div class="TbwUpd NJjxre iUh30 ojE3Fb" style="align-items: center; display: flex; font-size: 12px; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgktWd5PxYMzOe5DtJzWQmBxPx2CugVsk2_aOme-sEMCQicwXGib0uz0uVKrR7K1nTUGSC973Ld8NWNvm6MQqB_qcwQLYBPqmV8zrMP_ii4ZpRH8djB_7iB2wZX4GHavhw1PCWbtQyTyGVe_Nph-XwxzgKsdYzl7Tk_4Z9-ekk8VzZCj3qgR-H1/s4000/IMG_20221201_182803.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgktWd5PxYMzOe5DtJzWQmBxPx2CugVsk2_aOme-sEMCQicwXGib0uz0uVKrR7K1nTUGSC973Ld8NWNvm6MQqB_qcwQLYBPqmV8zrMP_ii4ZpRH8djB_7iB2wZX4GHavhw1PCWbtQyTyGVe_Nph-XwxzgKsdYzl7Tk_4Z9-ekk8VzZCj3qgR-H1/s320/IMG_20221201_182803.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg10v0TlO9Pw5PEpV5AXzzs0BTQDJJETziCd-qmHQrfvmjsskdknzY9F3rHUWWQZKx2yb_KAXSRalKsdopj_dnrBCgtQQYgvXMWUkZjkPyjGT0B2ugwwTtK7Y3pPQlGnFXlUIp-dJm8MtsaYmyQAUqF_R58xqJLfGmB6HgDSn5j2LWgXWeDeQb8/s3619/IMG_20221125_125020.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3619" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg10v0TlO9Pw5PEpV5AXzzs0BTQDJJETziCd-qmHQrfvmjsskdknzY9F3rHUWWQZKx2yb_KAXSRalKsdopj_dnrBCgtQQYgvXMWUkZjkPyjGT0B2ugwwTtK7Y3pPQlGnFXlUIp-dJm8MtsaYmyQAUqF_R58xqJLfGmB6HgDSn5j2LWgXWeDeQb8/s320/IMG_20221125_125020.jpg" width="265" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4z6HaVNwq8lWuwT46-yntD_c-Yq6yP4kGobWtF0zd3gFU1vZKZyHp7nhA3WH-MCRvpSEPy5BwyrhVocsyl82KXk1VVYxh3OcJCOu7eJNlB-RcHL0kf4IzQNDJLCf9vKz8WvJPrPauZeAlboAdB6hd1JppPCV3PiRHH0qZRi-MAcepWJ07Iqg8/s4000/IMG_20221125_111703.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4z6HaVNwq8lWuwT46-yntD_c-Yq6yP4kGobWtF0zd3gFU1vZKZyHp7nhA3WH-MCRvpSEPy5BwyrhVocsyl82KXk1VVYxh3OcJCOu7eJNlB-RcHL0kf4IzQNDJLCf9vKz8WvJPrPauZeAlboAdB6hd1JppPCV3PiRHH0qZRi-MAcepWJ07Iqg8/s320/IMG_20221125_111703.jpg" width="240" /></a></div><br /></div><span style="font-family: Arial, sans-serif;">La
creación<i> </i>artística ha sido siempre una forma de sanar y cambiar de
perspectiva. Crear mundos imaginarios que dan la sensación de nadar en ellos,
generar un momento de paz o verdad en el ojo del espectador. A estas pinturas
abstractas las identifico como "paisajes mentales". </span><span style="color: windowtext; font-family: Arial, sans-serif;">Se
generan a partir de un equilibrio visual y emocional al transmitir tanto la
posibilidad de exponer las ansiedades ocultas de las que no hablamos, como
ofrecer un atisbo de luz interior que trae un momento de esperanza. </span><span style="font-family: Arial, sans-serif;">Las obras
tienen una dimensión espiritual y utilizan símbolos religiosos, pero son
post-religiosos. Cada pieza es un grito que busca un santuario mental contra
cualquier oscuridad que haya surgido de encuentros no deseados. Las cruces son
un símbolo de conexión con algo más grande y el recuerdo para una mujer dentro
de mi vida que creía, por encima de todo, que no existía nadie horrible en el
mundo. Los personajes en la sombra representan a aquellos silenciados,
olvidados, que muchos identifican como ángeles ocultos a plena vista. </span><span style="font-family: Arial, sans-serif;">Todas las
técnicas apuntan a construir arte estética y emocionalmente impregnado de una
verdad que la vista no puede cambiar. El objetivo de estos “paisajes mentales”
es que el espectador encuentre en la oscuridad la luz que lo habita. Mi interés
creativo, se da a través de los detalles de mi paleta en una relación
sistemática entre el color y la respuesta emocional. En última instancia, busco
una "verdad" en mis pinturas y collages abstractos. Tener una
relación con el espectador que lo atrape inmediatamente pero que también lo
invite a explorar y a tener un lenguaje visual no representativo.</span><span style="font-family: Arial, sans-serif;"> </span><p></p>
<p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;"><o:p> </o:p></span><span style="font-family: Arial, sans-serif;">Tamara
Torres es una artista interdisciplinar feminista afrocaribeña, activista
comunitaria y madre afincada en EE.UU. Su obra artística es variada, conceptual
y se presenta en múltiples medios como collage, pinturas abstractas
"mindscape" y la performance. Su práctica artística une la defensa de
los derechos de la mujer, la equidad racial y su propia experiencia
autobiográfica. Tamara ha expuesto su arte en Nueva York, Filadelfia, Chicago,
Londres, Italia, Edimburgo y Dubái.</span></p>
<p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: Arial, sans-serif;">----------------------------------------------------------------------------------------------------------------------</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><a name="_heading=h.30j0zll"></a><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><b>Light in Darkness <o:p></o:p></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p> </o:p></span><span style="font-family: Arial, sans-serif;">Creating art has always been a way of healing and
changing perspective. Creating imaginary worlds that give you the sense to swim
in them generates a moment of peace or truth in the viewer's eye. These
abstract paintings are identified as “mindscapes” to </span><i style="font-family: Arial, sans-serif;">Tamara Torres</i><span style="font-family: Arial, sans-serif;"> they
are generated from a visual and emotional balance in conveying both the
demoralization of the unspoken darkness within our inner anxieties yet offering
a glimpse of the light within that brings a moment of hope. The paintings have
a spiritual dimension and use religious symbols but are post-religion, each
individual piece is instead a cry for mental sanctuary from any darkness that
has surfaced from unwelcome encounters. The crosses are a symbol of connecting
with something greater and a reminder of a woman in my life who believed above
all there wasn’t one awful person in the world. The shadow people in my work
are representative of those unspoken, forgotten, or how many identified as
angels hidden in plain sight.</span><span style="font-family: Arial, sans-serif;"> </span><span style="font-family: Arial, sans-serif;">All of the
techniques are pointed towards constructing art that is aesthetically and
emotionally suffused with a truth that the view cannot changed. The goal of
these mindscapes it’s to have the viewer find in the darkness the light that
it’s built in themselves. The detailed paint palette that addresses my creative
interest through a systematic relationship between color and emotional
response. Tamara say’s ultimately, I seek a “truth” in my abstract “mindscape”
paintings and collages. A relationship with the viewer which grips them immediately
but also invites them to explore and have a non-representational visual
language.</span><span style="font-family: Arial, sans-serif;"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><i><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;">Tamara</span></i><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> is
an interdisciplinary Afro-Caribbean feminist artist, community activist, and
mother based in the United States. Torre's artistic work is varied and
presented in multiple mediums such as collaged narrative, abstract paintings,
and performance. Her artistic practice knits together advocacy for women's
rights, racial equity, and her own autobiographical experience. Producing
vigorous conceptual paintings. Tamara has exhibited her art in NY,
Philadelphia, Chicago, London, Italy, Edinburgh and Dubai. <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><span style="font-family: "Helvetica Neue"; font-size: 14pt;"><a href="http://tamaratorresart.com">tamaratorresart.com</a></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;">-----------------------------------------------------------------------------------------------------------------------------</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><b>Luz en la oscuridad</b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><i>Lo que toca toda pintura verdadera es una ausencia,</i></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><i>una ausencia de la que, de no ser por la pintura, no seríamos conscientes.</i></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><i>Y eso sería lo que perderíamos.</i></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><i>John Berger, 2001.</i></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">Las pinturas que <i>Tamara Torres</i> presenta en <i>Residencia Corazón</i>, son a su decir, paisajes</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">mentales. Históricamente la relación entre la pintura de paisaje y el paisaje evocado en sí,</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">nos abre puertas a estados interiores: reflejos de estados anímicos, expresiones de los</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">sentimientos o las emociones de l* artista. Sin embargo, estos paisajes, plagados de</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">elementos y códigos, fallas y formaciones que no llegan a escapar del todo de una nebulosa</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">interior y oscura, más que representar estados interiores preparan, disponen un lugar para</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">recibir la ausencia.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">La ausencia no es algo definido de antemano, sino más bien algo que la pintura da a ver.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">Traumas, sentimientos, fantasías, negatividades resultantes de opresiones y violencias que</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">se procesan en el trabajo artístico, abriendo un lugar imaginal: a veces santuario, templo,</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">cementerio, donde llorar nuestras pérdidas, las propias y las colectivas.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">Las pinturas de Tamara ofrecen un suelo común: un topos indefinido. La abstracción, nos</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">invita a estar atent*s a la lenta alteración de las formas que van apareciendo, en donde la</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">imaginación, esa facultad para armar ficciones e historias, se despliega en imágenes y</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">asociaciones. Quizás sea este agenciamiento de la transformación al que se refería Gloria</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">Anzaldúa, la posibilidad de usar el proceso creativo para reestructurar las imágenes que</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">moldean la conciencia de una persona: “Las imágenes se comunican con los tejidos, los</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">órganos y las células para producir cambios.” Así, la obra no elude la hostilidad del mundo,</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;">pero encuentra un potencial positivo de resistencia y resiliencia.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><span lang="EN-US"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: Arial, sans-serif;"><b> Catalina Poggio / Curadora</b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p><a href="http://tamaratorresart.com" target="_blank"> </a></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p> </o:p></span></i></b></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"><o:p> </o:p></span></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-65027305749835585892022-12-05T06:14:00.007-08:002023-08-02T04:53:38.610-07:00Diego del Río en Residencia Corazón/ sept-oct 2022<p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKataVjkH_OWN33LsECZ8aHPSJyQIVEEEgmfTvFcAeiuaePWzlyaGsQx0z19XIf3Sw4xGoZ8COZhi5Sw-aDFSxH-6L4A-XioIsxmXJFIDlVjNjswdw7yEbjq_QaldkNHv2PHGUsDrQsk74UCT1lLFawhliG7QzK3ZsadnmczCZARd3gOEdOg/s4000/IMG_20220903_110558.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKataVjkH_OWN33LsECZ8aHPSJyQIVEEEgmfTvFcAeiuaePWzlyaGsQx0z19XIf3Sw4xGoZ8COZhi5Sw-aDFSxH-6L4A-XioIsxmXJFIDlVjNjswdw7yEbjq_QaldkNHv2PHGUsDrQsk74UCT1lLFawhliG7QzK3ZsadnmczCZARd3gOEdOg/s320/IMG_20220903_110558.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisEypGRYDb4aob3DxqBDVTfpKXKs6slXsvPpdCLStPBv_3Y94JbMh4IgNrBsbpCY0bhTWJh9CeGVepqOx00FmCytirxFTttiMiF6adhwYFUv_UlgcAyC4nG5hga9BGmb1rnvz97eES3aNavOpWcZdaZ_u474zy5Mw37N3B_V8bn3HrXbglkQ/s4000/IMG_20221028_205241.jpg" style="margin-left: 1em; margin-right: 1em;"></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmnjy8fhUbr9UtzmNPUeyrd7QWqZqYZNgFO3e5B3YPd8-ZMnnWodfIwSi0bleuGJzsTYy7qAhIHpz5v8P067PWcCAN_c4sCxYFo_x9MK4UZGxR3AppinunZH1OiS_TJRFLYzuBDYlLlu0Bb1IWopdeQIfRbkn6wH_xAOOIsVzzFJUbVeEcqg/s4000/IMG_20221028_203340.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmnjy8fhUbr9UtzmNPUeyrd7QWqZqYZNgFO3e5B3YPd8-ZMnnWodfIwSi0bleuGJzsTYy7qAhIHpz5v8P067PWcCAN_c4sCxYFo_x9MK4UZGxR3AppinunZH1OiS_TJRFLYzuBDYlLlu0Bb1IWopdeQIfRbkn6wH_xAOOIsVzzFJUbVeEcqg/s320/IMG_20221028_203340.jpg" width="240" /></a><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> </div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv2q5W4UF03jcrUZZAqixHo2erFgS_XqGDlRu-UosUTqKT6eWE4_patzCbzoFM1WUPc3NY0laJYcC1ZJx1hekWJuPC73X_UcFDS3w9AMGyz-mQB57tNAyxRRBapnrlrw8iuJSUaKZ_BLy_4URVrdCqt8E6fYMi2VJrN2mYIUgL5SUHiFtQpA/s4000/IMG_20220926_154416.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv2q5W4UF03jcrUZZAqixHo2erFgS_XqGDlRu-UosUTqKT6eWE4_patzCbzoFM1WUPc3NY0laJYcC1ZJx1hekWJuPC73X_UcFDS3w9AMGyz-mQB57tNAyxRRBapnrlrw8iuJSUaKZ_BLy_4URVrdCqt8E6fYMi2VJrN2mYIUgL5SUHiFtQpA/s320/IMG_20220926_154416.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg60l3VbnfE-Y65ik6Lyw5HqkpsNcW_F9dQsuhP7fpZNExN1KORmKeLYxXf44B45avB7BEPhpgssYdUQJY3A1WF2MJkxUOwi9cr2hadyS3uvKeosS-MuAj5Qd2QAqE-_Un0A2rQFAQ6ep1oWpCfkwYgg_JHAX9VdNFN5GIAJRHcCZpL-z5hpg/s4000/IMG_20220909_154808.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="4000" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg60l3VbnfE-Y65ik6Lyw5HqkpsNcW_F9dQsuhP7fpZNExN1KORmKeLYxXf44B45avB7BEPhpgssYdUQJY3A1WF2MJkxUOwi9cr2hadyS3uvKeosS-MuAj5Qd2QAqE-_Un0A2rQFAQ6ep1oWpCfkwYgg_JHAX9VdNFN5GIAJRHcCZpL-z5hpg/s320/IMG_20220909_154808.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJWwbp2pIgrxjB4Y2BtdgebUYjH-QkCaWZ4z1fDYDVBGPR4AYEmbAaMYInEnqeGDG2kHVzi1b9oLStVLPWhwEUI2sRI41rHCTplURo9viK8klNYCtMcaiCc4L2vwl6QfBG1pLcEqCvX_dicn8etzV2tutrx78tFr9S5VhIMkhm0N9ustbZGw/s4000/IMG_20220915_105917.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJWwbp2pIgrxjB4Y2BtdgebUYjH-QkCaWZ4z1fDYDVBGPR4AYEmbAaMYInEnqeGDG2kHVzi1b9oLStVLPWhwEUI2sRI41rHCTplURo9viK8klNYCtMcaiCc4L2vwl6QfBG1pLcEqCvX_dicn8etzV2tutrx78tFr9S5VhIMkhm0N9ustbZGw/s320/IMG_20220915_105917.jpg" width="240" /></a></div><a href="goog_687641771"><span style="font-size: medium;"><br /></span></a></div><br /><div><br /></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; font-size: 15px; white-space: pre-wrap;">Diego del Río (España, 1996) es un reconocido artista plástico, actualmente realizando su Doctorado en la Universidad de Vigo.</span><br /><div><br /><span color="windowtext" style="font-family: helvetica; text-align: justify;">Podríamos
convenir que la tarea de la Traducción corresponde al trabajo artístico e
intelectual. No estamos hablando de transposición textual, sino de la
construcción de lo común mediante la traductibilidad de las experiencias. El
arte establece conexiones entre individuos diferentes mediante una comunicación
abierta; escapa a lo meramente lingüístico. En este sentido, el trabajo
creativo permite la creación de espacios de entendimiento.</span><br /><span color="windowtext" style="font-family: helvetica; text-align: justify;">Esta exhibición es el resultado de una
Traducción artística de un momento específico de la historia de Argentina e
implica inevitablemente el vertido de las experiencias del creador y del
espectador en las piezas que componen el recorrido. Tal vez este acto, junto a
otros muchos intentos de comunicación compartida, nos aproxima a la posibilidad
de un cambio.</span><br /><span color="windowtext" style="font-family: helvetica; text-align: justify;">Asumimos nuestras limitaciones a la hora de
tratar la temática concreta de la muestra, pues los resultados prácticos parten
de la visión de un extranjero. Sin embargo, esta exposición es menos un simple
registro de la manifestación que se generó en la Plaza de Mayo el 2 de
septiembre como reacción al intento de asesinato de Cristina Fernández de
Kirchner que un fragmento de algo más grande. Esto es, aquí, la representación
de una protesta concreta funciona como un punto en una potencial red de
movimientos que, aunque no estén estrechamente vinculados, pueden asociarse en
un futuro.</span><br /><span color="windowtext" style="font-family: helvetica; text-align: justify;">Para determinarnos políticamente debemos tomar
partido y actuar en relación a fuerzas e intereses: necesitamos la exclusión y
la elección. No obstante, la construcción del sujeto político no tendría por
qué suprimir la identidad individual en un Pueblo, una Nación o un Proyecto con
mayúsculas. ¿Es posible vincular las luchas anti sistémicas globales a través
de nuestras propias diferencias? Si la respuesta es afirmativa, aceptemos las
confrontaciones, lo no-traducible y las disparidades; expongámonos al cambio
constante, a la conexión y a la desconexión; abramos lugares de comunicación;
traspasemos las fronteras físicas y cognitivas; pensemos en una fusión
separatista.</span><br /><span color="windowtext" style="font-family: helvetica; text-align: justify;">-----------------------------------------------------------------------------------------------------------</span><br /><span lang="ES" style="font-family: helvetica;"> </span><span style="font-family: helvetica;">Una brisa suave
para acariciar banderas y un sol inmenso, después de la gran tormenta, la plaza
se viste para recibir a su gente. Entrando por Balcarce suena de bombos, de
gestos de calor, </span><span style="font-family: helvetica;"> </span><span style="font-family: helvetica;">de abrazo, de tristeza
y de energía.</span><br /><span style="font-family: helvetica;">Un
escenario en construcción, cañas enrolladas, familias con banderas y columnas
de agrupaciones que van llegando. Todavía se puede recorrer y guardar imágenes
en las memorias, al mismo tiempo que las preguntas traslucen respuestas.</span><br /><span style="font-family: helvetica;">Con la confección
de una nueva cartografía de viajes, que culminan en su tesis doctoral, Diego desde
su pequeña ciudad de Ferrol, norte de España, llega a Buenos Aires pocas horas
antes del intento de magnicidio a la figura vicepresidencial. Este suceso le otorga
un carácter único a su hoja de ruta.</span><br /><span style="font-family: helvetica;">La
globalización y sus consecuencias son elementos de la partida, donde la gente parece
quedar afuera. Diego fija su mirada sensible y crítica en este proceso.</span><br /><span style="font-family: helvetica;">De transitar
plazas de rostros serios, preocupados y sin empatía a encontrar en estas
latitudes, una gran masa casi en un mismo acorde y con la palabra colectiva en
alto, hecha bandera.</span><br /><span style="font-family: helvetica;">Desde muy
joven, el comics lo acercó a la figuración y definitivamente a la elección de
su camino artístico.</span><br /><span style="font-family: helvetica;">Propone al óleo
transitar la abstracción con mucha carga y suaves cruces, </span><span style="font-family: helvetica;"> </span><span style="font-family: helvetica;">esos que también alimentan a la figuración, de
rica paleta y con un alto grado de detalle, poniendo lo general y lo particular
en una misma condición.</span><br /><span style="font-family: helvetica;">…Y la
pintura no seca, sigue viva ahí por haber sido reciente, como la plaza, al otro
día de la gran tormenta.</span><br /><p class="MsoNormal" style="text-align: left;"><b><span style="font-family: helvetica;"><span lang="ES-MX"> </span>Arq. Gustavo Pérez/ Curador</span></b></p><p class="MsoNormal" style="text-align: left;"><a href="http://instagram.com/_diegodelrio_/?hl=es"><span style="font-size: medium;">instagram.com/_diegodelrio_/?hl=es</span></a></p>
<span style="font-family: arial;"> </span><p></p></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-46676624846022544862022-11-02T05:55:00.000-07:002022-11-02T05:55:05.417-07:00Khopotso Seopela/ Save a Soul<p> </p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzkVQDGgr8SsCfhax1nb0JNgEEi75dmsNxIIKvUsLOatQIHQJ-u8I8Ld7BgoNeuQnrx8JriCYfgRBY' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiavtHKLzICkCATCUQov2Mc8C_CAZ7eJPSm_YAYkP7Fn3AccyBv_WSYGgXAifUwVpHxcWB6C2yy6SVoGEECENNO3sRN4PEBcOTJR-9dk2jV_HARnKfU1Bu4IQuI6oqJaLtifedGvSl4vBrEreuJeKGNJ8ZvHaZ1GKhrZIOt_yUrNl7QY93Jsw/s4000/original_c1c7f0ae-7efb-419e-bb1e-2485cfa26220_IMG_20221003_104134.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="4000" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiavtHKLzICkCATCUQov2Mc8C_CAZ7eJPSm_YAYkP7Fn3AccyBv_WSYGgXAifUwVpHxcWB6C2yy6SVoGEECENNO3sRN4PEBcOTJR-9dk2jV_HARnKfU1Bu4IQuI6oqJaLtifedGvSl4vBrEreuJeKGNJ8ZvHaZ1GKhrZIOt_yUrNl7QY93Jsw/s320/original_c1c7f0ae-7efb-419e-bb1e-2485cfa26220_IMG_20221003_104134.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ywSY_rCitap7nXhbEK_K63n8JIncAVbWPEuI67Vrb05-pBCJzBcIF_Z-JLbwNOGA83SyhJTrPhGsqBdizDGi7hH6nwqBIma45VaKbmxT41wt81sb7-fWwp5ga1VOZE79cE0b9uM_rt387KuElYT41dKY68jawUrsfYt8u--4TVWEvra21w/s4000/original_bef47660-119a-47ac-a8ca-9c207017b146_IMG_20221003_090915.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="4000" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ywSY_rCitap7nXhbEK_K63n8JIncAVbWPEuI67Vrb05-pBCJzBcIF_Z-JLbwNOGA83SyhJTrPhGsqBdizDGi7hH6nwqBIma45VaKbmxT41wt81sb7-fWwp5ga1VOZE79cE0b9uM_rt387KuElYT41dKY68jawUrsfYt8u--4TVWEvra21w/s320/original_bef47660-119a-47ac-a8ca-9c207017b146_IMG_20221003_090915.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFu6yvGTTNXrlFsV8N2ue50xCMrSfd1T_ekXVet0aO_LqIsGCVMTjPDowsIpiZK4F_J4Ex03ELVLsl8IAjXoVh0aQIlHwlwsuBGa3ci82SD3e7aVWs4_tb-ouwa0y5zd3Q5kubCKIW5t0jiFjGo_5m72UrLrzm786KiRAYIQHcARQthVAOyg/s4000/original_b16297e2-3a4b-431e-826c-2aa9f267645f_IMG_20220927_154609.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFu6yvGTTNXrlFsV8N2ue50xCMrSfd1T_ekXVet0aO_LqIsGCVMTjPDowsIpiZK4F_J4Ex03ELVLsl8IAjXoVh0aQIlHwlwsuBGa3ci82SD3e7aVWs4_tb-ouwa0y5zd3Q5kubCKIW5t0jiFjGo_5m72UrLrzm786KiRAYIQHcARQthVAOyg/s320/original_b16297e2-3a4b-431e-826c-2aa9f267645f_IMG_20220927_154609.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p class="MsoNormal"><o:p><b>Khopostso Seopela (Sudáfrica, 1981) </b></o:p>Proveniente de la ciudad y Universidad de Pretoria,, es directora y productora de obras teatrales relacionadas a conflictos-enfermedades en la juventud dentro de las diversas comunidades . Su proyecto se basó en la investigación y encuentros con estudiantes de la Escuela de Teatro de la ciudad, quienes improvisaron para una futura puesta en escena de la obra:</p><p class="MsoNormal"><o:p><b>Save a Soul </b></o:p>una obra de
teatro producida para abogar por aquellos que luchan y viven discriminados
debido a su estado mental. El vehículo de concienciación ofrece una oportunidad
para que el mundo se una y comience a abordar el histórico de la salud mental,
especialmente cuando la cultura y la religión son la principal barrera para la
curación mental libertad. El mundo es un lugar roto, hemos pasado por mucho
como pueblo y debería ser nuestra naturaleza imperativa esforzarnos por sanar,
no sólo como individuos sino como mundo.</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">El objetivo:</p><p class="MsoNormal">- Reducir el
estigma asociado a las enfermedades mentales<o:p></o:p></p><p class="MsoNormal">- Promover
comportamientos de búsqueda de ayuda y prácticas de bienestar emocional.<o:p></o:p></p><p class="MsoNormal">- Prevenir el
suicidio a través de la educación individual y los eventos/programas de divulgación.<o:p></o:p></p><p class="MsoNormal">- Crear un entorno
seguro y tranquilizador y, al mismo tiempo, proporcionar recursos y plataformas
viables para individuos y sus seres queridos a su alcance con programas de
curación disponibles.<o:p></o:p></p><p class="MsoNormal">-----------------------------------------------------------------------------------------------------------------------------<span style="text-align: center;"><b>Khopostso Seopela (South Africa, 1981)</b> </span></p><p class="MsoNormal"><span style="text-align: center;">Hailing from the city and University of Pretoria, she is a director and producer of plays related to conflict-illness among youth in diverse communities. Her project was based on research and meetings with students from the city's School of Theatre, who improvised for a future staging of the play: </span></p><p class="MsoNormal"><b><span style="text-align: center;">S</span><span style="text-align: center;">ave a Soul </span></b></p><p class="MsoNormal"><span style="text-align: center;">It is a play produced to advocate for those who struggle and live discriminated against due to their mental state. The awareness vehicle provides an opportunity for the world to come together and begin to address the history of mental health, especially when culture and religion are the main barrier to mental healing freedom. The world is a broken place, we have been through a lot as a people and it should be our imperative nature to strive to heal, not only as individuals but as a world.</span></p><p class="MsoNormal"><span style="text-align: center;">The goal:</span></p><p class="MsoNormal"><span style="text-align: center;">- Reduce the stigma associated with mental illness.</span></p><p class="MsoNormal"><span style="text-align: center;">- Promote help-seeking behaviors and emotional wellness practices.</span></p><p class="MsoNormal"><span style="text-align: center;">- Prevent suicide through individual education and outreach events/programs.</span></p><p class="MsoNormal"><span style="text-align: center;">- Create a safe and reassuring environment while providing viable resources and platforms for individuals and their loved ones within reach with available healing programs.</span></p><p class="MsoNormal"><span id="docs-internal-guid-341684d8-7fff-28bd-c350-c00042f0cefc"><span style="color: blue; font-family: Arial; font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;"><a href="https://facebook.com/KinhismidstProductions">https://facebook.com/KinhismidstProductions</a></span></span></p><p>
<br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-31697635761528253862022-10-06T07:55:00.007-07:002022-10-06T07:55:57.431-07:00Jamsen Law & Lee Suet Ying/ Semillas del recuerdo/ abril-junio 2022<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pcQiBxUhDzPqqd0kawL0BVDyAUrza4BE1uS5sNcN8jnL7KRWRupSQge42zXkzne-763TuBTVhOtlklSnkLZrULpQF0XIj_OZjBHYqv5qlLnqcf6Jf5GtWp7SKsokIEgLM3jeRauqtXjj-5XYy_0czhWNW8lyNr10YWJDyrwzchGJD-gFTQ/s5616/argentina-220611B-n2%20(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="5616" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pcQiBxUhDzPqqd0kawL0BVDyAUrza4BE1uS5sNcN8jnL7KRWRupSQge42zXkzne-763TuBTVhOtlklSnkLZrULpQF0XIj_OZjBHYqv5qlLnqcf6Jf5GtWp7SKsokIEgLM3jeRauqtXjj-5XYy_0czhWNW8lyNr10YWJDyrwzchGJD-gFTQ/s320/argentina-220611B-n2%20(1).jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieHPDHWKPzSkMOaAUkWxAXiCS0x2izKVkaxk5R435UTYiXLdpS66Go7zT9OiV0fzaoe6lotFbdtdlCbUUsGTtV1Y_qDRWU4W3sa0oCr973_0UcV2hYR8QY9aXtIvRJqvYLWulCO_U4ayTcNbu3EkKRpZQnlPX2ZPAFCVB9MdCAtPOJ1PdiMQ/s320/IMG_20220615_134657.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><p></p><p class="MsoNormal"><a href="http://nprojekt.net/" target="_blank"><span style="font-size: 14.0pt;">nprojekt.net</span></a><span style="font-size: 14.0pt;">
</span><a href="http://npool.net/" target="_blank"><span style="font-size: 14.0pt;">npool.net</span></a><span style="font-size: 14.0pt;"> </span><a href="http://leesuetying.hk/" target="_blank"><span style="font-size: 14.0pt;">leesuetying.hk</span></a><span style="background: white; font-family: "Arial",sans-serif; mso-fareast-font-family: Arial; mso-highlight: white;"><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" style="border: none; margin-bottom: 0cm; text-align: left;"><a name="_Hlk105418794"><i><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;">Semillas del recuerdo</span></i></a><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;"> </span><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;">marca el
inicio de la tercera serie itinerante de <i>nProjekt</i>. A diferencia de las
dos series anteriores centradas en el artista, <i>Under-Line</i> y <i>Non-Solo</i>,
se trata de un proyecto orientado al tema y al proceso, diseñado para
evolucionar a través de una residencia de dos meses. Se organizó para que
naciera en un lugar alejado de la ciudad natal de ambos artistas, que se
encuentra básicamente en el extremo opuesto del planeta. El clima, la densidad
de población, la velocidad de la vida, el tráfico y muchas otras cosas son simplemente
diferentes a las de casa. </span></p><p class="MsoNormal" style="border: none; margin-bottom: 0cm; text-align: left;"><i><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;">Semillas
del recuerdo</span></i><span style="font-family: Arial, sans-serif;"> es una metáfora de las fuentes de vida fáciles de transportar y
almacenar, que guardan recuerdos, identidades y potencialidades de sus
orígenes. Propone conversaciones sobre cómo el arte y los artefactos, que
representan recuerdos, historias, melancolías y contenidos, podrían ser
recogidos, expuestos, conservados y reproducidos, intencional o
inconscientemente, para la existencia de lo que representan. También sugiere
una búsqueda de nutrientes para el crecimiento y la adaptación, desarrollando
nuevas raíces y variedades.</span> <span style="font-family: Arial, sans-serif;">Las investigaciones y reflexiones sobre las
siempre cambiantes condiciones creativas son los principales trabajos de este
proyecto artístico y curatorial. La exposición final será específica para el
lugar y estará bien integrada en <i>Residencia Corazón</i>.</span></p>
<p class="MsoNormal" style="border: none; margin-bottom: 0cm; text-align: left;"><span style="font-family: Arial, sans-serif;">Comenzando
con un trozo de baldosa de la calle "tomado prestado" de una esquina
cercana a uno de los parques de La Plata y las reminiscencias de dos artistas,
un elemento ordinario de la infraestructura urbana pavimenta el espacio
compartido y establece el terreno común para la vida de la ciudad, proporciona
la primera capa de la muestra. </span><span style="font-family: Arial, sans-serif;">Con un
enfoque basado en el objeto y otro orientado a la experiencia de dos artistas,
la baldosa de la calle se convirtió en una mesa de comedor/comunidad y en una
instalación con más elementos "prestados" del entorno. Del centro del
"hogar" a las heridas de la memoria, del azulejo olvidado a los
recuerdos de los lugares. Las galerías y los estudios están dispuestos como en
casa. Las imágenes y los objetos de arte se integran en el entorno original y
transforman el espacio común en un santuario privado. </span><i><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;">Semillas
del Recuerdo</span></i><span style="font-family: Arial, sans-serif;"> es una exposición sobre la separación y la lejanía. Se trata de seguir
adelante con lo esencial y sin perder el eje. También trata de la recreación y
la aspiración.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;">----------------------------------------------------------------------------------------------------------------------<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><a name="_heading=h.30j0zll"></a><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span><a name="_Hlk105418692" style="font-family: Arial, sans-serif;"><b>Seeds of Remembrance</b></a></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span><i><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;">Seeds of Remembrance</span></i><span lang="EN-US" style="font-family: Arial, sans-serif;"> marks a beginning of the third travelling series of <i>nProjekt</i>.
Different from the previous two artist-centric series, <i>Under•Line</i> and <i>Non-Solo</i>,
it is a theme- and process-driven project designed to evolve through a
two-month residency. It was arranged to come into being at a place far away
from both artists' home city, where is simply at the opposite end of the globe.
The climate, the population density, the speed of living, road traffic and many
others are plain different from home.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span><i><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;">Seeds of Remembrance</span></i><span lang="EN-US" style="font-family: Arial, sans-serif;"> is a metaphor of easy-to-carry and -store sources of life, which keep
memories, identities and potentials of their origins. It proposes conversations
about how art and artefact, which represent memories, histories, melancholies,
and contentments, could be collected, displayed, preserved and reproduced,
intentionally or unconsciously, for the existence of what they represent. It
also suggests a search of nutritions for growth and adaptation, developing new
roots and varieties.</span><span lang="EN-US" style="background: white; color: #222222; font-family: Arial, sans-serif;"> </span><span lang="EN-US" style="font-family: Arial, sans-serif;">Researches and reflections on the ever-changing
creative conditions are the main works of this artistic and curatorial project.
The final exhibition will be site-specific and well-integrated with <i>Residencia
Corazón</i>.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span><span style="font-family: Arial, sans-serif;">Beginning with a piece of street tile
"borrowed" from a corner near the central park of La Plata, and
reminiscences of two artists, an ordinary element of urban infrastructure,
which paves the shared space and lays the common ground for city lives,
provides the first layer of the show. </span><span style="font-family: Arial, sans-serif;">With one object-based and one experience-oriented approach of two artists, the
street tile was developed into a dinning/communal table and an installation
with more "borrowed" elements from the surroundings. From the centre
of "home" to wounds of memory, from the forgotten tile to
recollections of places. Galleries and studios are arranged like home. Images and
art objects integrate with the original setting and transform the common space
into a private sanctuary. </span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: Arial, sans-serif;">Seeds of Remembrance is an exhibition about being apart and far away. It is
about moving on with essentials and without losing the pivot. </span><span style="font-family: Arial, sans-serif;">It is also
about re-creation and aspiration.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-family: Arial, sans-serif;"><b>Juamsen Law/ Curador-Curator</b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="text-align: center;"><span style="font-family: Arial, sans-serif;"><b>-</b>E</span></span><span style="font-family: "Helvetica Neue"; font-size: 14pt; text-align: center;">special
agradecimiento a </span><i style="font-family: "Helvetica Neue"; font-size: 14pt; text-align: center;">Catalina Poggio</i><span style="font-family: "Helvetica Neue"; font-size: 14pt; text-align: center;"> por el asesoramiento curatorial</span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><b style="text-align: center;"><span style="font-family: "Helvetica Neue"; font-size: 14.0pt; mso-bidi-font-family: "Helvetica Neue"; mso-fareast-font-family: "Helvetica Neue";">-</span></b><span style="font-family: "Helvetica Neue"; font-size: 14pt; text-align: center;">Este proyecto cuenta
con el apoyo del Consejo de Desarrollo Artístico de Hong Kong/ Supported by <b><i>Hong
Kong Arts Development Council</i></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><b><i><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-US; mso-fareast-font-family: Arial;"> </span></i></b></p></div><div style="text-align: left;"><br /></div></div><p><br /> </p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-74022127387692600472022-09-13T06:43:00.001-07:002022-09-13T06:43:39.508-07:00Christopher Kanyusik/ junio 2022 en RC<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyror42_SNg167UMF4yzF-hYIWr_gqhFZXH7AcgRM4Ezxvi8yXga_PFVUwpHpXHhRhNF5XbYh1GaAf004TAU4JH2W4bvpJT8XEhhHya4XRpe67KjMpybN6tLQZPS3abKJfFJM-GiiQLieUUleTxLHkpjM7oJRDWSFfoINivf_uL6bME0m9TQ/s4000/IMG_20220606_161556.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyror42_SNg167UMF4yzF-hYIWr_gqhFZXH7AcgRM4Ezxvi8yXga_PFVUwpHpXHhRhNF5XbYh1GaAf004TAU4JH2W4bvpJT8XEhhHya4XRpe67KjMpybN6tLQZPS3abKJfFJM-GiiQLieUUleTxLHkpjM7oJRDWSFfoINivf_uL6bME0m9TQ/s320/IMG_20220606_161556.jpg" width="240" /></a></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcVqslpfHKsUuxDC2E-XqbeHJH3lIgCutVwY4aY543oti1_Vq9r9jWWBH79zwsxl7n5JvFJivNPT6jzV3GaWIDothqKAY9uE5_8FCfM-JonHiu65GQOYSvep8gJBt78hpEGtb6c4h_WdVLaPnNaLY0PuI6LjRxAIAKcIzJWK_bE7XmfsTJRQ/s4000/IMG_20220620_131643.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcVqslpfHKsUuxDC2E-XqbeHJH3lIgCutVwY4aY543oti1_Vq9r9jWWBH79zwsxl7n5JvFJivNPT6jzV3GaWIDothqKAY9uE5_8FCfM-JonHiu65GQOYSvep8gJBt78hpEGtb6c4h_WdVLaPnNaLY0PuI6LjRxAIAKcIzJWK_bE7XmfsTJRQ/s320/IMG_20220620_131643.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipBcMzUSrcON0RFWZC1HQsCEVlgKkapSFJJAeotkR2tB6s9HyEVnFAgYKEoEcEVrrbv1zCXbgYd-iT0HDT_DYKFVT25yhJtZE9NeCKMRC9-JZK_RxxbFcVefrzR00fLPKimw_KGKJg3k0I5n6cKLr2FqvNQYyQdPs8LBHIJd8Law4SnydtGg/s3414/original_a239ea3a-30e5-42a6-8fff-5697266c2cd9_IMG_20220620_131710.jpg" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZjtQEHZTCRwvAT-QCzsMV7d6qbKTsDcoqRp740wvz3i2s1Ifn6SfDairN4q8VvqwLZY79GBwQs5Cxfo08lVr7xp3IJOOm1IF6vlZo11WIuBHXMeMfBqZV66EVrWNYaoA5ou5zVFUuDWc6uN-9iNKPSyMOGDGGmGmDg8Fxl7hjoPX2k_OaA/s4000/IMG_20220620_151906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZjtQEHZTCRwvAT-QCzsMV7d6qbKTsDcoqRp740wvz3i2s1Ifn6SfDairN4q8VvqwLZY79GBwQs5Cxfo08lVr7xp3IJOOm1IF6vlZo11WIuBHXMeMfBqZV66EVrWNYaoA5ou5zVFUuDWc6uN-9iNKPSyMOGDGGmGmDg8Fxl7hjoPX2k_OaA/s320/IMG_20220620_151906.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivVpPzVMco2BMnZfrSWzkdMNJ5Cafl2mkr270Cn5VUWAABmdwcl68eDam3nimQj-brOZpP_FKDcLb6WCJuc64cVGoJomoPjNCJPOrHG1p-P3efrEOceqTL7gEi-l7zGa4e-pXgKuGFUrK4t55zUGEfMizu5UCRG_GED1HWcxoZs9uYZDNWow/s1199/IMG_20220621_124527_232%20(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1199" data-original-width="1199" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivVpPzVMco2BMnZfrSWzkdMNJ5Cafl2mkr270Cn5VUWAABmdwcl68eDam3nimQj-brOZpP_FKDcLb6WCJuc64cVGoJomoPjNCJPOrHG1p-P3efrEOceqTL7gEi-l7zGa4e-pXgKuGFUrK4t55zUGEfMizu5UCRG_GED1HWcxoZs9uYZDNWow/s320/IMG_20220621_124527_232%20(1).jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="http://www.chriskanyusik.com/"><span style="font-size: medium;">http://www.chriskanyusik.com/</span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b>Cristopher Kanyusik (USA, 1977) </b></div><p></p><div class="separator" style="clear: both; text-align: center;">El proyecto que propongo consiste en crear una serie de piezas de fundición múltiples y las muestras escultóricas que las presentarán. Siguiendo con mi interés por los fenómenos reactivos, me gustaría crear estas series en relación directa con los materiales locales y el entorno. Me intrigan los contrastes de textura, solidez y cómo reaccionan los distintos materiales entre sí. Este proyecto implicará </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">encontrar materiales, hacer moldes, fundir, terminar y exponer los resultados, y cada escultura contendrá múltiples componentes repetidos.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">-----------------------------------------------------------------------------------------------------------------------------</div></div><div class="separator" style="clear: both; text-align: center;">My proposed project is to create a series of multiple castings and the sculptural displays that will present them. Continuing my interest in reactive phenomena, I would like to create these series in direct relation to local materials and the surrounding environment. I am intrigued by contrasts of texture, solidity, and how different materials react to one another. This project will involve </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">finding materials, making molds, casting, finishing, and exhibiting the results, with each sculpture containing multiple repeating components.</div></div><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-3502731123263985342022-09-07T07:16:00.001-07:002022-09-07T07:16:50.602-07:00Jared Young/ Residencia para escritores- Writers Residency 2022<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1EAHDT-PrHAir5ibPNKSL3Av6iep1vPopOa9HORB3t0bCnIVIXqyOYiEw6l3frf55xsox05t99zvDH7YGTuIAsXxD0qXG1Ar1LmprLf0HyTnH3Y4NoaG8zXMsaVpdNwdkYnWGX5zw1JrBKy-koLWKX0JNqquSKLcAdCkN2cqfh3VT4UFz5w/s4000/IMG_20220426_115406.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1EAHDT-PrHAir5ibPNKSL3Av6iep1vPopOa9HORB3t0bCnIVIXqyOYiEw6l3frf55xsox05t99zvDH7YGTuIAsXxD0qXG1Ar1LmprLf0HyTnH3Y4NoaG8zXMsaVpdNwdkYnWGX5zw1JrBKy-koLWKX0JNqquSKLcAdCkN2cqfh3VT4UFz5w/s320/IMG_20220426_115406.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLdlCw2o2Wk4oJw71zK8ppUKV8qW3GSnsALNQ4CfM-F_aWtmfscJuOcVgjXDFLkh3REGPLIyPPvaE_CXs9kmEeLeTZ5248_vVEA7hAW2HePV5Zy83q4r_Kpg90ctjpgt6c1fPFcQRvS4IQZeqV__K5NzCdF9KKSNSaDmDwiHAGldiDaHMVQ/s4000/IMG_20220426_115404.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLdlCw2o2Wk4oJw71zK8ppUKV8qW3GSnsALNQ4CfM-F_aWtmfscJuOcVgjXDFLkh3REGPLIyPPvaE_CXs9kmEeLeTZ5248_vVEA7hAW2HePV5Zy83q4r_Kpg90ctjpgt6c1fPFcQRvS4IQZeqV__K5NzCdF9KKSNSaDmDwiHAGldiDaHMVQ/s320/IMG_20220426_115404.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCx7m0X-NaBcj1AEktkU_SAbYLj5vSt4kgz9o1e-dbHFbO28Mp6fZi57MKaIeYEFEiioc9Vac8YKCNyyBlNfsl_ZrEJVGi0iL9znrbrDgsnI4rg12IBpYieOeywWvjXAhnnHzSGFo-NU1LtZLGeK3ObHC2p1myiPtWCsjJ2bIDt-sWqQqUbg/s4000/IMG_20220426_115401.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCx7m0X-NaBcj1AEktkU_SAbYLj5vSt4kgz9o1e-dbHFbO28Mp6fZi57MKaIeYEFEiioc9Vac8YKCNyyBlNfsl_ZrEJVGi0iL9znrbrDgsnI4rg12IBpYieOeywWvjXAhnnHzSGFo-NU1LtZLGeK3ObHC2p1myiPtWCsjJ2bIDt-sWqQqUbg/s320/IMG_20220426_115401.jpg" width="240" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKqhs2RAgi9PrdHeRXtqsfw3yaMJhTGv9SIlyqAld1KFIFSnHUDukQ9QV17zKX-__oB5JNJRecT_rwRp_jjLb1FGttq7D5kBB2voNQRQ4wDmebS_SZRoU0Z6CiB5A4GjNos6G9F9Ryzt11YU8F1QdOYBfdnR2yjz8sAYWqGShQR8SqZZmsHA/s4000/IMG_20220426_113127.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKqhs2RAgi9PrdHeRXtqsfw3yaMJhTGv9SIlyqAld1KFIFSnHUDukQ9QV17zKX-__oB5JNJRecT_rwRp_jjLb1FGttq7D5kBB2voNQRQ4wDmebS_SZRoU0Z6CiB5A4GjNos6G9F9Ryzt11YU8F1QdOYBfdnR2yjz8sAYWqGShQR8SqZZmsHA/s320/IMG_20220426_113127.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p><b>Jared Young (</b>Canadá, 1979) es director creativo y escritor. Sus proyectos cinematográficos han ganado múltiples premios en el Festival de Cine <i>SXSW</i> y han sido desarrollados por el <i>National Screen Institute</i>. Sus trabajos de vídeo han sido reconocidos por<i> The Webbys</i> y The One Show, y sus campañas creativas y trabajos de marca han sido cubiertos por <i>The Globe</i> and <i>Mail, Adweek</i> y otros lugares. También es cofundador y colaborador de <i>Dear Cast</i> and <i>Crew</i>, y autor de la novela <i>Into The Current</i>. </p><p>-----------------------------------------------------------------------------------------------------------------------------</p><p><b>Jared Young</b> (Canadá, 1979) is a creative director and writer. His film projects have won multiple awards at the SXSW Film Festival and been developed by the National Screen Institute. His video work have been recognized by The Webbys and The One Show, and his creative campaigns and brand work have been covered by The Globe and Mail, Adweek, and other places. He is also a co-founder and contributor at Dear Cast and Crew, and the author of the novel Into The Current. </p><p><br /></p><p><span style="color: #3d85c6; font-size: large; text-decoration-line: underline;">https://www.jaredyoung.co/</span></p><p><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-9455481126865172132022-09-06T07:36:00.002-07:002022-09-06T07:43:47.635-07:00Whitney Stolich en Residencia Corazón/ Febrero 2022<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJ14D8JqxeMNLZm0jtl1IEpv0wEeC461jELTYlfHpFmltVF65tkRqepJI-yJTKGxujygXwS6cih9qxX-CQdbgcVAG4YU_0o_9edFPuFUiEPROQBmTV-x9knehqkCCPKlC6mtYF5V6IzycBgGJ9RVwsB9L5Xl_DkbWP9rCk4vh09oZe0-GdQ/s819/IMG_20220310_192314_969.jpg" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJ14D8JqxeMNLZm0jtl1IEpv0wEeC461jELTYlfHpFmltVF65tkRqepJI-yJTKGxujygXwS6cih9qxX-CQdbgcVAG4YU_0o_9edFPuFUiEPROQBmTV-x9knehqkCCPKlC6mtYF5V6IzycBgGJ9RVwsB9L5Xl_DkbWP9rCk4vh09oZe0-GdQ/s819/IMG_20220310_192314_969.jpg" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvX4T7rFzYLftOl8PQd_jndBx0VLZNoF6tqqg8eRTmy5XD-Z6Z--ujwxZ5h69t4lbO2aFEoB2E2qHwZcWI4yM4RY-ROd2yKrpi8t1FK5QffvlIKz9k8zSB5ByZ5fkC2MgZTlpj-jSNiFmdykdZ2Mu8G7XGh8MNEmUprQ26yHO4xXHC-tsFw/s3000/IMG_20220330_095805_757.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvX4T7rFzYLftOl8PQd_jndBx0VLZNoF6tqqg8eRTmy5XD-Z6Z--ujwxZ5h69t4lbO2aFEoB2E2qHwZcWI4yM4RY-ROd2yKrpi8t1FK5QffvlIKz9k8zSB5ByZ5fkC2MgZTlpj-jSNiFmdykdZ2Mu8G7XGh8MNEmUprQ26yHO4xXHC-tsFw/s320/IMG_20220330_095805_757.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><img border="0" data-original-height="819" data-original-width="655" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJ14D8JqxeMNLZm0jtl1IEpv0wEeC461jELTYlfHpFmltVF65tkRqepJI-yJTKGxujygXwS6cih9qxX-CQdbgcVAG4YU_0o_9edFPuFUiEPROQBmTV-x9knehqkCCPKlC6mtYF5V6IzycBgGJ9RVwsB9L5Xl_DkbWP9rCk4vh09oZe0-GdQ/s320/IMG_20220310_192314_969.jpg" width="256" /></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHMAtI3pA_xFkNQGp7Q-MDQ3arCsLKiF4z_7dWMn5ax5gk15D7O8hxb15wpHPHQlV7fRDxuUM7IbtE4kYIKjy5VkOE6xSB6yQ-kFtEn8XEzlQ0Njle-8MVTsazJskVH9bevQ491u4oycJHD_C2ucswwdlkL82K0m4FroqWzTdIgVSUD6-8eg/s1080/IMG_20220402_104351_991.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHMAtI3pA_xFkNQGp7Q-MDQ3arCsLKiF4z_7dWMn5ax5gk15D7O8hxb15wpHPHQlV7fRDxuUM7IbtE4kYIKjy5VkOE6xSB6yQ-kFtEn8XEzlQ0Njle-8MVTsazJskVH9bevQ491u4oycJHD_C2ucswwdlkL82K0m4FroqWzTdIgVSUD6-8eg/s320/IMG_20220402_104351_991.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUdOJv0Yn82oo8crngXS5SxgaCKGlaul7CLtOfBQsCAbXqOtkslhKY-9gAVk501nngXSmu7XsJDFwayRKaHiOhI_Am8HUxybXEHDk0thRnBaj093HrZC9DLH_mx02tTO4l5VHGRwqOBCJopYAtkkk7Y5YxlcgWbkbmbCZ9vYFincvK_diX-w/s1080/IMG_20220402_110647_999.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUdOJv0Yn82oo8crngXS5SxgaCKGlaul7CLtOfBQsCAbXqOtkslhKY-9gAVk501nngXSmu7XsJDFwayRKaHiOhI_Am8HUxybXEHDk0thRnBaj093HrZC9DLH_mx02tTO4l5VHGRwqOBCJopYAtkkk7Y5YxlcgWbkbmbCZ9vYFincvK_diX-w/s320/IMG_20220402_110647_999.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="goog_1476504254"><br /></a></div><span id="docs-internal-guid-d05e3ff2-7fff-d293-b9a9-96d40e2cf314"><a href="http://www.whitneystolich.com/">http://www.whitneystolich.com/</a></span><p></p><p><span><br /></span></p><p>Nacida en USA, Monterey, California, Whitney Stolich pasó toda su infancia en un rancho de caballos. Al haber vivido en tantos espacios abiertos, se cuestionó los espacios urbanos y decidió sumergirse en uno de los más grandes, Los Ángeles, en 1993 para asistir a la Universidad Loyola Marymount. Se especializó en Planificación Urbana en un intento de comprender las decisiones que se tomaban en las ciudades y sus alrededores. Cuatro años después de licenciarse en la LMU, asistió al Otis College of Art and Design para ampliar sus estudios. Obtuvo un máster en 2004. Su obra es principalmente fotográfica.</p><p>Sus intereses artísticos se centran en temas que pertenecen al terreno común de estos dos campos: es decir, la compleja realidad que a menudo provoca el desarrollo económico en las sociedades occidentales, así como la forma en que ésta puede visualizarse a través del medio fotográfico. Por ejemplo, en su serie Landuse (2003-2004) examinó aspectos del desarrollo residencial en el sur de California, de una forma que parece estar suspendida entre la realidad y la visión elíptica de una maqueta. En sus series Third Space (2004-2005) y Land Above Sky Below (2007-2008), respectivamente, intenta leer dos aspectos diferentes de la propiedad de la tierra, renovando constantemente su lenguaje artístico en función de las necesidades del tema. En (2012-2018) Stolich ha seguido centrando su trabajo en cuestiones de planificación urbana. Ha fotografiado puntos de referencia como los cuervos vuelan en su serie Every Ten Miles Southern California, también ha tomado imágenes de anuncios de la Segunda Guerra Mundial en los túneles abandonados de París, y ahora se está centrando en Space Between Places una comunidad ecológica fuera de la red que tiene una comunidad de personas que desean ser libres literalmente y figurativamente en losas de hormigón en el desierto de Sonora con una variedad de objetos como viviendas.</p><p>-----------------------------------------------------------------------------------------------------------------------------</p><div><div>Born in USA, Monterey, California, Whitney Stolich spent her entire childhood on a horse ranch. Having lived in so many open spaces, she questioned urban spaces and decided to immerse herself in one of the largest, Los Angeles, in 1993 to attend Loyola Marymount University. She majored in Urban Planning in an attempt to understand the decisions being made in and around cities. Four years after graduating from LMU, he attended Otis College of Art and Design to further his studies. He received a master's degree in 2004. His work is primarily photographic.</div><div><br /></div><div>His artistic interests focus on themes that belong to the common ground of these two fields: namely, the complex reality often caused by economic development in Western societies, as well as how this can be visualized through the photographic medium. For example, in his Landuse series (2003-2004) he examined aspects of residential development in Southern California in a way that seems to be suspended between reality and the elliptical vision of a model. In his series Third Space (2004-2005) and Land Above Sky Below (2007-2008), respectively, he attempts to read two different aspects of land ownership, constantly renewing his artistic language according to the needs of the subject. In (2012-2018) Stolich has continued to focus his work on urban planning issues. He has photographed landmarks such as crows fly in his series Every Ten Miles Southern California, he has also taken images of World War II advertisements in the abandoned tunnels of Paris, and is now focusing on Space Between Places an off-grid ecological community that has a community of people who wish to be free literally and figuratively on concrete slabs in the Sonoran desert with a variety of objects as dwellings.</div><div><br /></div></div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><br /></p><div><br /></div>Residencia Corazónhttp://www.blogger.com/profile/05937096368953675025noreply@blogger.comtag:blogger.com,1999:blog-34063300.post-36342830989970565012021-12-13T08:43:00.003-08:002021-12-13T08:43:40.363-08:00Balthasar Brooklynensis/ El mundo se disuelve en cenizas<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjAdQcQ1uXY2NizPOXQomUpaiceaqNVa3_JipSElwT6u8sS2HtYLlHirRJbLLFNttapzFlYvTeQHDXaoPcaZF9LNAETipwN2B3gIJap4uIOPOsgtI0MBrQGsiI6VHXmqNOB7Bt7gmwOoGzwxGnjuKjXLK7MtUHBwrGOjbDQZDJ46m4n9NGDPg=s2048" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjAdQcQ1uXY2NizPOXQomUpaiceaqNVa3_JipSElwT6u8sS2HtYLlHirRJbLLFNttapzFlYvTeQHDXaoPcaZF9LNAETipwN2B3gIJap4uIOPOsgtI0MBrQGsiI6VHXmqNOB7Bt7gmwOoGzwxGnjuKjXLK7MtUHBwrGOjbDQZDJ46m4n9NGDPg=s320" width="213" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhHxR4H6r7ue6_LAMz4ULhsjwnMZThs_0LFNQ8Vc8Z04ebJVlgHoRKv6FskJZLNqQef8SZiDyqILL9iXAm6QOJRuWm-IhJ37l5kU4LcEUiniWXm65BAHEQg9amxKf-TbPz0-vuzEcKCcDCcU8mWoSbVf7r2MCr08pDctXDHW4MbA_DXN8QF7A=s1860" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1860" data-original-width="1335" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhHxR4H6r7ue6_LAMz4ULhsjwnMZThs_0LFNQ8Vc8Z04ebJVlgHoRKv6FskJZLNqQef8SZiDyqILL9iXAm6QOJRuWm-IhJ37l5kU4LcEUiniWXm65BAHEQg9amxKf-TbPz0-vuzEcKCcDCcU8mWoSbVf7r2MCr08pDctXDHW4MbA_DXN8QF7A=s320" width="230" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj3AFqjqbFJw8DVB-bC-SuwZMqAYRPc-HmY2L7trbj8ats3C5RtxWTCQWP606P82SvZp0PTVDlpiEpAXSp_QdBHYjwngMWA5OAADDHDupPUNCm3lIuW2WWX5tQe3MsPcJJRfifKUGCq5VN8rITwhyAurE-GYvRVcswHoCsf02WiVgdK18DsCw=s2000" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="2000" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEj3AFqjqbFJw8DVB-bC-SuwZMqAYRPc-HmY2L7trbj8ats3C5RtxWTCQWP606P82SvZp0PTVDlpiEpAXSp_QdBHYjwngMWA5OAADDHDupPUNCm3lIuW2WWX5tQe3MsPcJJRfifKUGCq5VN8rITwhyAurE-GYvRVcswHoCsf02WiVgdK18DsCw=s320" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><i><span style="font-family: arial;">Dies iræ, dies illa,<o:p></o:p></span></i></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><i><span style="font-family: arial;">Solvet sæc’lum in favílla:<o:p></o:p></span></i></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><i><span style="font-family: arial;">Teste David cum Sibylla.<o:p></o:p></span></i></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;">- Palabras
citadas de la <i>Secuencia de la Misa de las
Almas</i><o:p></o:p></span></p><p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"> El
propósito de la vida es morir (una buena muerte). <i>Porque polvo eres y al polvo volverás</i> (<i>Gn 3: 19</i>). Es importante, por lo tanto, recordar siempre nuestra
Muerte y ser conscientes de la Marca que habremos dejado en esta Tierra antes
de su Hora. Y es por esta razón que he regresado a la casa de mi padre (<i>Lucas 15: 11-32</i>), cortándome el pelo,
poniéndome la ropa adecuada, y creando este nuevo cuerpo de obras, aquí en La
Plata; para poder comenzar a reparar ese Escándalo, que forjé sobre <i>Canadá</i> y sobre el Mundo, habiendo
tallado mi propia carne en un simulacro de Venus.</span></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"> <i>Perdóname, Padre, porque he pecado</i>. He abandonado
mi vocación y me he dejado llevar por mis delirios, y la Consecuencia es que
todas esas ovejas a las que debería haber llevado a pastar, están ahora
destrozadas y desamparadas mientras la nación de <i>Canadá</i> degenera en un abismo de autoindulgencia.</span></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;">Estas
nuevas obras son <i>mementōte mori</i>, una
vuelta a la tradición en consonancia con el regreso a la casa de mi padre. Los
objetos de significación han sido situados dentro de la parrilla, o dentro de
la cripta, o incluso dentro del propio espacio de la galería, re-presentados al
espectador como una crítica a nuestra Cultura de la Muerte y a nuestra Cultura
del Desecho, recordándonos esa Hora que viene. Porque el camino del arte es el
camino de la cultura. Y así, nosotros, como Artistas, tenemos la responsabilidad
en esta Hora, de aplastar el falso ídolo de la Iconoclasia, adorado como ha
sido dentro de nuestros Templos de las Musas, y volver a la hermosa creación de
objetos de los abuelos de nuestros abuelos, no sea que estas Culturas de la
Muerte y del Desecho progresen más hacia nuestra condenación eterna. Todos
somos <i>Cartoneros</i>. Por favor, hagamos
cada uno en adelante sólo Obras y nunca Basura, Armas de Paz y nunca de Caos.<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;">----------------------------------------------------------------------------------------------------------------------<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"><a name="_heading=h.30j0zll"></a> The purpose of life is to die (a good death). <i>For dust thou art, and to dust thou shalt
return</i> (Gen 3: 19). It is important, therefore, to always remember our
Death and to be cognisant of the Mark that we shall have left upon this Earth
before her Hour. And it is for this reason that I have returned to my father’s
house (Luke 15: 11-32), cutting off my hair, putting on the proper clothes, and
creating this new body of work, here in La Plata; that I might begin to make amends
for that Scandal, which I had wrought upon Canada and upon the World, having
carved mine own flesh into a simulacrum of Venus.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"> <i>Forgive me, Father, for I have sinned.</i> I had
forsaken my calling and have indulged in my delusions, and the Consequence is
that all those sheep whom I ought to have led to pasture, are now mayhemed and
helpless as the nation of Canada degenerates into an abyss of self-indulgence.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"> These new
works are <i>mementōte mori</i>, a return to
tradition in keeping with a return to my father’s house. Objects of
significance have been situated within the barbecue (<i>parilla</i>), or within the crypt, or even within the gallery-space
itself, re-presented to the Viewer as a critique of our Culture of Death and
our Culture of Disposal, reminding us of that Hour to come. For the Way of Art
is the Way of Culture. And thus, we, as Artists, have a responsibility in this
Hour, to smash the false idol of Iconoclasm, worshipped as it has been within
our Temples of the Muses, and to return to the beautiful object-making of our
grandfathers’ grandfathers, lest these Cultures of Death and Disposal do
progress any further towards our eternal damnation. We are all <i>Cartoneros</i>. Please, let us each make
thenceforth only Works and never Garbage, Arms of Peace and never of Mayhem.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: "Helvetica Neue"; font-size: 14pt;"><a href="http://brooklynfink.com">brooklynfink.com</a></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><b><i><span style="font-family: arial;"> ----------------------------------------------------------------------------------------------------------------------------</span></i></b></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"> <a name="_Hlk89766958"><span lang="es" style="color: #202122;">Esparcir
cenizas o polvo, en lugar de perfumes, sentarse en el suelo, lavarse y comer
entre cenizas han sido desde hace tiempo, señales de luto, la purificación,
expresión de arrepentimiento y penitencia.</span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span lang="es" style="color: #202122;"> </span><a name="_Hlk89766800"><i><span lang="es" style="color: #202122;">El mundo se disuelve en cenizas </span></i></a><span lang="es" style="color: #202122;">puede ser entendida como la evocación de este
estado sagrado. Y así como el polvo y las cenizas son restos, aquí las obras
son como esquirlas que parecen recordar este estado de fragilidad de la
existencia en el que trastabilla toda fijeza: de las formas conocidas, de un nombre,
de lo dado, de lo visto y lo oido. Un estado de luto. Un abandono -que no es un
olvido-, de las formas adoptadas, en un <i>ser
</i>y <i>estar</i> abierto al devenir. </span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span lang="es" style="color: #202122;"> </span><i><span lang="es">Balthasar
Brooklynensis</span></i><span lang="es"> recupera la tradición como quien recoge
las astillas del pasado de las que está hecho nuestro presente. En estas <i>naturalezas muertas</i>, esta vida quieta
dialoga con el canon de los grandes maestros barrocos desde nuestro presente. Aquí,
un conjunto de productos de consumo, enseres domésticos y utilitario, pero
también objetos de la práctica artística se disponen en este emblema de la
masculinidad argentina que es la parrilla. Un frasco de mermelada de durazno,
una cámara fotográfica, un jabón, perturban la mirada ante la memoria contenida
en estos materiales, como cadáveres en descomposición de nuestro pasado
reciente.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span lang="es"> </span>En la
obra de <i>Balthasar</i> insiste una pregunta por la paradoja de estar <i>entre</i> la descomposición y la
composición, metamorfoseo de la materia de uno a otro estado que es cualidad de
todo lo viviente. Hay más una apuesta por el misterio, el delirio y el éxtasis,
como entrega hacia lo desconocido y lo impredecible.</span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span lang="es"> </span><span style="color: #202122;">Para quien ha padecido el destierro y el desalojo, a
quien le ha sido negado el derecho a la opacidad, inventarse un nombre,
imaginar los antepasados, es apenas la invención de una posibilidad de vida.
Pero este es también un acto desestabilizador, de des-sujeción y desacato a lo
impuesto como destino. Nombrarse otro, con la propia lengua, no como un
ornamento sino como la necesidad de separación, de poner un límite entre lo que
se ha sido y lo que se puede llegar a ser; </span><i style="color: #202122;">detrasvestirse</i><span style="color: #202122;">,
transfigurarse, un retornar que no es instaurar un tiempo anterior, sino que es
una apertura al riesgo de lo frágil, de un estar abierta a devenir otros,
impensados.</span></span></p>
<p class="MsoNormal"><span lang="es" style="color: #202122;"><span style="font-family: arial;"> </span></span><b><span lang="es" style="color: #202122;"><span style="font-family: arial;">Catalina
Poggio/ Curadora</span></span></b></p>
<p class="MsoNormal"><span lang="es" style="color: #202122;"><span style="font-family: arial;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;"> </span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: Arial;"> </span></p><p class="MsoNormal" style="border: none; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><o:p> </o:p></p><p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: "Helvetica Neue"; font-size: 14.0pt; mso-bidi-font-family: "Helvetica Neue"; mso-fareast-font-family: "Helvetica Neue";"> </span></p><p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: "Helvetica Neue"; font-size: 14.0pt; mso-bidi-font-family: "Helvetica Neue"; mso-fareast-font-family: "Helvetica Neue";"> </span></p><p class="MsoNormal" style="border: none; margin-bottom: 0cm; mso-border-shadow: yes; mso-padding-alt: 31.0pt 31.0pt 31.0pt 31.0pt; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: "Helvetica Neue"; font-size: 14.0pt; mso-bidi-font-family: "Helvetica Neue"; mso-fareast-font-family: "Helvetica Neue";"> </span></p><p>
<i><span style="font-family: "Helvetica Neue"; font-size: 14.0pt; mso-bidi-font-family: "Helvetica Neue"; mso-fareast-font-family: "Helvetica Neue";"> </span></i> </p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-29999351280024223312021-12-13T08:29:00.001-08:002021-12-13T08:33:01.862-08:00Pedro Gramaxo/ Contrivance # 3 en Residencia Corazón<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg6OgtLGLhvWcgxPzKMaNvGsf19xVpPrjaPclhfBscrTmmeDqpb9o_dCd5RUFF4ES6P3EuXzMLxzmTp11rC_0L79Sf4c2MqoaIvjA2VUGk36q8AtEEcs3JCnw6nQv5rOUuOwUK3EZS_ozH1Rz0Li8SIajXSKMZ5xWU6zdgHRoW4JcDM5c_f6Q=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEg6OgtLGLhvWcgxPzKMaNvGsf19xVpPrjaPclhfBscrTmmeDqpb9o_dCd5RUFF4ES6P3EuXzMLxzmTp11rC_0L79Sf4c2MqoaIvjA2VUGk36q8AtEEcs3JCnw6nQv5rOUuOwUK3EZS_ozH1Rz0Li8SIajXSKMZ5xWU6zdgHRoW4JcDM5c_f6Q=s320" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgysW1k9I475f5kcmUOKjT0wI6FKr3NcatY49dqYlPurdMmB94AmIS0-_aG1LL16y_Hh5OeUapn9yDXYsLu0AAavslDc_EuA_47vDdMdVtcfsNJdhd5z4RsQXIeLXeLOolh5tXif1-VAeAfHI7B2DNEVwLPVsx4h9Gd6N1PEnDcCRbFqKktaQ=s1772" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="1300" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgysW1k9I475f5kcmUOKjT0wI6FKr3NcatY49dqYlPurdMmB94AmIS0-_aG1LL16y_Hh5OeUapn9yDXYsLu0AAavslDc_EuA_47vDdMdVtcfsNJdhd5z4RsQXIeLXeLOolh5tXif1-VAeAfHI7B2DNEVwLPVsx4h9Gd6N1PEnDcCRbFqKktaQ=s320" width="235" /></a></div><br /><a href="https://blogger.googleusercontent.com/img/a/AVvXsEghXahFLb2R9lkZnIEfi-zaPic4OTUUSVhR0XpzQam8F1L0YBhjFDz6C4FIJ3CORAq5vBliCIgrkoDG8AEd76N9yKYDrnv2d-W-Vmc-pbykWbUh8MHPKRPuVR1tvWgkuqoJUFWvyItAYIDDBbIHFDCTkWIsNx2jU7i7s4DXt3pEc0qGGbQkRw=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1142" data-original-width="2048" height="178" src="https://blogger.googleusercontent.com/img/a/AVvXsEghXahFLb2R9lkZnIEfi-zaPic4OTUUSVhR0XpzQam8F1L0YBhjFDz6C4FIJ3CORAq5vBliCIgrkoDG8AEd76N9yKYDrnv2d-W-Vmc-pbykWbUh8MHPKRPuVR1tvWgkuqoJUFWvyItAYIDDBbIHFDCTkWIsNx2jU7i7s4DXt3pEc0qGGbQkRw=s320" width="320" /></a></div><p><br /></p><p></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><i><span lang="ES-SV">Pedro Gramaxo</span></i><span lang="ES-SV"> (Portugal, 1989), trabaja en construcción, fotografía y cine, ha
expuesto en exposiciones individuales y colectivas y espacios públicos desde
2012 desde Portugal, Italia, Bosnia y Herzegovina hasta Brasil, China, Rusia y
ahora Argentina. <o:p></o:p></span></span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>Su trabajo ha sido publicado en revistas físicas y
digitales y plataformas de arte de todo el mundo.</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>Canalizando su práctica de exploración del dualismo
entre lo natural y lo artificial, <i>Pedro Gramaxo</i> crea contrastes de
elementos constructivos hechos por el hombre con nuevos contextos artísticos.</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>Desarrolla una investigación basada en la
importancia de la presencia corporal en sitios naturales diversos y su relación
con nosotros mismos y nuestra memoria. Esta investigación combina el entorno y
la percepción humana mediante el uso de construcciones hechas por el hombre.</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>En nuestra mente, conceptos como longitud, altura o
anchura no están relacionados con una forma específica. Sólo cuando unimos
estos términos podemos construir una idea en torno al espacio físico y la
dimensión.</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>Para hacer comprensibles esas ideas, tuvimos estableció
unidades de medida para manejar su existencia. Este proceso le permitió llevar
conceptos indefinidos y abstractos a formas concretas, medibles y, finalmente,
tangibles.</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span style="font-family: arial;"><span lang="ES-SV"> </span>Aquí es donde sitúa su práctica, profundizando en
cómo un individuo ha sido capaz de percibir estos conceptos abstractos y cómo
uno se compromete física y psicológicamente con el volumen, la escala o la
dimensión.</span></p><div style="border-bottom: solid windowtext 1.0pt; border: none; mso-border-bottom-alt: solid windowtext .75pt; mso-element: para-border-div; padding: 0cm 0cm 1pt;">
<p class="Normal1" style="border: none; margin-bottom: 0cm; mso-border-bottom-alt: solid windowtext .75pt; mso-padding-alt: 0cm 0cm 1.0pt 0cm; padding: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><b><span lang="EN"><span style="font-family: arial;"> </span></span></b></p>
</div><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"><i><span color="windowtext" lang="EN-US">Pedro Gramaxo</span></i><span color="windowtext" lang="EN-US"> (Portugal, 1989), working in construction,
photography and film, has been exhibiting in solo and group shows and public
spaces since 2012 from Portugal, Italy, Bosnia and Herzegovina to Brazil,
China, Russia and now Argentina.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span color="windowtext" lang="EN-US"><span style="font-family: arial;">His work has been published in physical and digital magazines and art
platforms all over the world.<o:p></o:p></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span color="windowtext" lang="EN-US"><span style="font-family: arial;">Channeling his practice of exploring the dualism between the natural and the
artificial, <i>Pedro Gramaxo</i> creates contrasts of man-made constructive
elements with new artistic contexts.<o:p></o:p></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;"><span color="windowtext" lang="EN-US"> </span><i><span color="windowtext" lang="EN-US">Pedro</span></i><span color="windowtext" lang="EN-US"> develops research based on the importance of on-site bodily presence
and its relation with ourselves and our memory. This research combines the
environment and human perception through the use of man-made constructions.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;"><span color="windowtext" lang="EN-US"> </span><span color="windowtext">In our minds, concepts such as length, height or width are not related
to a specific form. It is only when we bind together these terms that we can
build an idea around physical space and dimension.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;"><span color="windowtext" lang="EN-US"> </span><span color="windowtext">In order to make such ideas understandable, we had to establish
measurement units to handle their existence. This process allowed us to bring
indefinite and abstract concepts into concrete, measurable and, finally,
tangible forms.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;"><span color="windowtext" lang="EN-US"> </span><span color="windowtext">This is
where </span><i style="color: windowtext;">Pedro</i><span color="windowtext"> places his practice, deepening how an individual has been
able to perceive these abstract concepts and how one engages physically and
psychologically with volume, scale or dimension.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm;"><span color="windowtext"><span style="font-family: arial;">-----------------------------------------------------------------------------------------------------------------------------</span></span></p><p>
<span style="font-family: arial;">
<span>¿Cuánto reparamos en puertas, ventanas, camas, mesas, pantallas,
carteles (informativos o publicitarios, da igual), campos deportivos, papel
moneda, tarjetas bancarias, como ejemplos rectangulares de nuestra estandarizada
y urbana domesticación?</span></span></p>
<p class="MsoNormal"><span style="line-height: 115%;"><span style="font-family: arial;">El gesto formal de <i>Pedro Gramaxo</i>, abstracto y minimalista en
su colorido pleno, imbricado con el paisaje nos confronta abruptamente con la
presencia artificialmente geométrica que, podríamos decir, rige constantemente
nuestra vida tecno-urbana. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="line-height: 115%;"><span style="font-family: arial;">La materialidad de situar sus piezas en el paisaje, su elaboración,
tarea que, para el ocasional testigo implica conocer algo de la estratagema que
le permite con alegría burlarse de la facilidad con la que podría construir
imágenes similares (nunca iguales, ni siquiera equivalentes, casi inconsistentes)
por medios digitales, es un desafío en varios niveles fácticos y conceptuales.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="line-height: 115%;"><span style="font-family: arial;">Cuando en esta operación incluye personas (retratos según él expresa),
emerge ante nuestra mirada la imagen cuasi utópica de un ser humano
rectificando sus formas y rasgos evolutivamente.<o:p></o:p></span></span></p>
<pre><span class="y2iqfc"><span lang="ES"><span style="font-family: arial;">Así, a través de estas construcciones, el artista revela su<o:p></o:p></span></span></span></pre><pre><span class="y2iqfc"><span><span style="font-family: arial;">imaginario, tanto como el espectador su percepción.<o:p></o:p></span></span></span></pre><pre><span class="y2iqfc"><span lang="ES"><span style="font-family: arial;">Nace entonces el buscado contraste entre realidad e ilusión, lo orgánico y lo geométrico, lo natural y<o:p></o:p></span></span></span></pre><pre><span style="font-family: arial;"><span class="y2iqfc"><span lang="ES">lo artificial.</span></span><span><o:p></o:p></span></span></pre>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="ES"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="font-family: arial;">Pedro desarrolla entonces una investigación basada
en la importancia de la presencia corporal in situ, su relación con</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="ES"><span style="font-family: arial;">nosotros mismos y la memoria. De este modo, enlaza ante
nuestra mirada el entorno y la percepción humana en su constante y eterno
diálogo.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="ES"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span lang="ES"><span style="font-family: arial;"><b>Rafa
Santos/ Curador<o:p></o:p></b></span></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="color: #3d85c6;"><span lang="ES"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="font-family: "Helvetica Neue";"><a href="http://pedrogramaxo.com/">pedrogramaxo.com/</a></span></span></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-56358516711578470142021-11-23T03:48:00.002-08:002021-12-13T08:34:11.817-08:00Lucas Rodrigues/ The Notorious Olumi: Tour Latinoamérica<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0xycWYUf1t4YjXm1bKwzPzWHtzqvoT3CflGg6vFyZegPCz90-IrTRCPpBPe824IN8vPMgfI74fG72aT7ZoVDlKjtl9DiY3iI7SJaBeEE6lmxLZ_vBH-zkAXETSEaWx6BMvZfW/s1772/FLYER+Lucas+Rodrigues+22+x+30+02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="1300" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0xycWYUf1t4YjXm1bKwzPzWHtzqvoT3CflGg6vFyZegPCz90-IrTRCPpBPe824IN8vPMgfI74fG72aT7ZoVDlKjtl9DiY3iI7SJaBeEE6lmxLZ_vBH-zkAXETSEaWx6BMvZfW/s320/FLYER+Lucas+Rodrigues+22+x+30+02.jpg" width="235" /></a><div class="separator" style="clear: both; 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text-align: left;"><span style="font-family: arial;"><b><i><span color="windowtext" face="Arial, sans-serif">The Notorious Olumi: Latin America Tour<br /></span></i></b><i><span face=""Arial",sans-serif" lang="ES-SV" style="mso-ansi-language: ES-SV; mso-bidi-font-weight: bold;">Olumi</span></i><span face=""Arial",sans-serif" lang="ES-SV" style="mso-ansi-language: ES-SV; mso-bidi-font-weight: bold;">, el
alter ego del artista brasileño <i>Lucas Rodrigues</i>, comenzó a desarrollarse
desde en su infancia influenciado por la cultura pop norteamericana y por las
subculturas japonesas otaku y kawaii, como forma de subvertir su realidad de
clase media norteña, caracterizada por ideales religiosos y conservadores.</span><span face="Arial, sans-serif"> <br /></span><span face=""Arial",sans-serif" lang="ES-SV" style="mso-ansi-language: ES-SV; mso-bidi-font-weight: bold;">A través de una atmósfera lúdica, <i>Lucas</i> se
transforma en <i>Olumi</i>, una especie de popstar-animal-juguete, que
protagoniza su propio universo imaginario, donde los deseos oprimidos se
mezclan con sus experiencias personales y autobiográficas.<br /></span><i><span face=""Arial",sans-serif" lang="ES-SV" style="mso-ansi-language: ES-SV; mso-bidi-font-weight: bold;">"The Notorious Olumi: Latin America Tour"</span></i><span face=""Arial",sans-serif" lang="ES-SV" style="mso-ansi-language: ES-SV; mso-bidi-font-weight: bold;"> investiga la trayectoria infantil de <i>Olumi</i>,
a través de una óptica autobiográfica, observando su niñez en el campo de una
pequeña ciudad de Brasil, hasta su transformación en el <i>"StarBoy".</i>
La exposición es una celebración de un niño latino LGBTQI+ que se enfrenta toda
una serie de límites personales, sociales y culturales llegando al momento en
que se incorpora y se convierte en un icono autoproclamado, antihéroe y
estrella del pop multi dotado, <i>Olumi</i>.<br /> <o:p></o:p></span><b><span lang="EN" style="mso-ansi-language: EN; mso-bidi-font-family: "Helvetica Neue";"> </span></b><span color="windowtext" face="Arial, sans-serif">---------------------------------------------------------------------------------------------------------------------<br /></span><a name="_Hlk86065898"><span color="windowtext" face=""Arial",sans-serif" lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";"> </span></a><i><span color="windowtext" face=""Arial",sans-serif" style="mso-fareast-font-family: "Times New Roman";">Olumi<b>,</b></span></i><span color="windowtext" face="Arial, sans-serif"> the alter ego of
Brazilian artist <i>Lucas Rodrigues</i>, began to be developed still in his
childhood influenced by North American pop culture and by Japanese subcultures
otaku and kawaii, as a way to subvert his middle class northern reality,
characterized by religious and conservative ideals.<br /></span><span color="windowtext" face=""Arial",sans-serif" style="mso-fareast-font-family: "Times New Roman";">Through a playful atmosphere, <i>Lucas </i>transforms into <i>Olumi</i>,
a kind of popstar-animal-toy, who is the protagonist of his own imaginary
universe, where oppressed desires mix with his personal and autobiographical
experiences.<br /></span><span color="windowtext" face=""Arial",sans-serif" style="mso-fareast-font-family: "Times New Roman";"> "</span><a name="_Hlk86065816"><i><span color="windowtext" face=""Arial",sans-serif" style="mso-fareast-font-family: "Times New Roman";">The Notorious Olumi: Latin America Tour''</span></i></a><span color="windowtext" face="Arial, sans-serif"> </span><span color="windowtext" face="Arial, sans-serif">investigates <i>Olumi’s</i> boyhood trajectory, through an
autobiographical optic, observing his childhood in the countryside until his
transformation into the “StarBoy”. The exhibition is a celebration of a Latino
LGBTQI+ boy who faced a range of personal, social, and cultural boundaries
until the moment he incorporates and become a self-proclaimed icon, anti-hero,
multi-gifted pop star persona <i>Olumi. <br /></i></span><span color="windowtext" face=""Arial",sans-serif" lang="EN" style="mso-ansi-language: EN; mso-fareast-font-family: "Times New Roman";"> </span><a href="https://olumi.myportfolio.com/"><span style="mso-bidi-font-family: "Helvetica Neue";">olumi.myportfolio.com/<br /></span></a><span color="windowtext" face=""Arial",sans-serif" lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";"> ----------------------------------------------------------------------------------------------------------------------------<br /></span><span lang="ES" style="mso-ansi-language: ES; mso-bidi-font-family: "Helvetica Neue";"> </span><span face="Arial, sans-serif">En una canción
de menos de tres minutos, </span><i>Sonic Youth</i><span face="Arial, sans-serif"> nos proponía matar a nuestros
ídolos, revirtiendo toda lógica rockera promovida hasta ese entonces.<br /></span><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;">Pero ¿qué pasa cuándo en vez de eso decidimos crearlos, cuando esa es la salida
de emergencia disponible en un ambiente social que nos encorseta con masculinidades
autoritarias y feminidades sumisas?<br /></span><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;">Así nacen <i>Olumi </i>y esta exposición que, como un resumen de <i>Youtube</i>,
nos invita a ser testigxs de las diferentes etapas de su biografía, entre
fantasías y referencias reconocibles, entre cambios físicos y de obsesiones en
un contexto de tradiciones represivas encalladas. En el universo <i>Olumi</i>,
los disfraces de colores son antídoto a un dogma religioso que impone juicios y
estructuras sobre cuerpos, modos y elecciones. Aquí, lo kawaii es político.<br /></span><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;">Es que cuando una obra habla desde una marcada subjetividad, solemos
preguntarnos si está basada en hechos reales, cuánto hay de verdadero y
autobiográfico, cuánto es invención. Pero en esta propuesta, no importa quién
es <i>Olumi</i>, quién es <i>Lucas</i>, cuánto es ficción; no importan las
proporciones en la fantasía que nos mantiene a flote en la marea de un sistema
que desecha y aplana diversidades.<br /></span><i><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;">Olumi</span></i><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;"> es estrella, ídolo y reflejo. Es carne, hueso y brillantina. Nacido o no
de la ficción, es real. Como <i>Agrado</i>, el personaje de <i>Almodóvar</i>
que luego de enumerar los litros de silicona que lleva dentro suyo asegura:
"una es auténtica cuanto más se parece a lo que ha soñado de sí
misma", o como los juegos de<i> PlayStation</i> que nos invitaban a elegir
con qué jugadorx queríamos entrar a la pelea.<br /><o:p></o:p></span><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;">Bienvenidxs al Tour de <i>Olumi</i>, donde pueden ser quienes quieran.<br /></span><b>Mariel Uncal / Curadora<br /></b><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;"> </span></span></div><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" face=""Arial",sans-serif" lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";">
</span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span face=""Arial",sans-serif" style="mso-bidi-font-weight: bold;"> </span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 14pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Helvetica Neue";"> </span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 14pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Helvetica Neue";"> </span></p><p class="Normal1" style="margin-bottom: 0cm; tab-stops: 35.45pt 70.85pt 106.3pt 5.0cm 177.15pt 212.6pt 248.05pt 283.45pt 318.9pt 354.35pt 389.75pt 425.2pt 460.65pt;"><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 14pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Helvetica Neue";"> </span></p><p>
<span style="mso-bookmark: _Hlk86065898;"></span>
</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-22121356371697377092021-09-02T07:03:00.004-07:002021-12-13T08:35:42.900-08:00Olia Fedorova en Residencia Corazón<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQtkiYO4qEQxkoQClHtDwFeL1V4_I8LcVHhOiHO6EpHmbWLZ9AaGPW3npm4GJMweBNCgrlpibF4dBNumuJ0f2T4D7rGuzvyoWifQjVmn04Nj1bq7Lx_ZkictnKDz5HX2za4820/s1237/olia5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1237" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQtkiYO4qEQxkoQClHtDwFeL1V4_I8LcVHhOiHO6EpHmbWLZ9AaGPW3npm4GJMweBNCgrlpibF4dBNumuJ0f2T4D7rGuzvyoWifQjVmn04Nj1bq7Lx_ZkictnKDz5HX2za4820/s320/olia5.jpg" width="279" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3upZvTIOe6dAS_LPkXJzVbtMeZ23SGeIFILGTNu9LOqDbM1Mj0xPp8sWUkcRvmT2SMzFjrNet2jfe3fCF_kSvFp_xF-QYcgGId5O9xdHbL-0BPpTcGu1wH5fhZFMVbMenwKP/s1080/olia4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3upZvTIOe6dAS_LPkXJzVbtMeZ23SGeIFILGTNu9LOqDbM1Mj0xPp8sWUkcRvmT2SMzFjrNet2jfe3fCF_kSvFp_xF-QYcgGId5O9xdHbL-0BPpTcGu1wH5fhZFMVbMenwKP/s320/olia4.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLV9_2uqDtHSb_LcUS3qXMlJz1b-PcsJvZ-PT0zMh2I6hUWUwGbGZSRQE8gTt8klqc5Sgnc5nGRtXr1ops2wcmJ2kaO6ejjlLIdL7y2YOdF_buA4KubX3wWShzhArMPlug93qb/s1080/olia3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLV9_2uqDtHSb_LcUS3qXMlJz1b-PcsJvZ-PT0zMh2I6hUWUwGbGZSRQE8gTt8klqc5Sgnc5nGRtXr1ops2wcmJ2kaO6ejjlLIdL7y2YOdF_buA4KubX3wWShzhArMPlug93qb/s320/olia3.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHn18AVFUj6ubg0HNH2pxJ4I2f9FS-Bbd7skv5sfM2p1dMJO-hNoMl5Ay4AUi46UobBJImIV2Fsg1srp9MjE8nSL7VnGPCtsBr3k8Rnua634E76EP6lF3ytCcImX9bpdlEbFm1/s1440/olia2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1179" data-original-width="1440" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHn18AVFUj6ubg0HNH2pxJ4I2f9FS-Bbd7skv5sfM2p1dMJO-hNoMl5Ay4AUi46UobBJImIV2Fsg1srp9MjE8nSL7VnGPCtsBr3k8Rnua634E76EP6lF3ytCcImX9bpdlEbFm1/s320/olia2.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXJpTiIsAq3BnsNPr9fYmU_Y8iNuxYdQx1jwhVo089HjHvH9_K4oDMkJNCX6iInB99Ksg-U8idNVrpbvcxPrWo-6y284YyJeb43BKMMt6ag-vodIVjEVHm3Ay1Gk9_XuLlsNM/s1080/olia1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXJpTiIsAq3BnsNPr9fYmU_Y8iNuxYdQx1jwhVo089HjHvH9_K4oDMkJNCX6iInB99Ksg-U8idNVrpbvcxPrWo-6y284YyJeb43BKMMt6ag-vodIVjEVHm3Ay1Gk9_XuLlsNM/s320/olia1.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div style="animation-name: none; transition-property: none;"><div class="cwj9ozl2 qbxu24ho bxzzcbxg lxuwth05 h2mp5456 ue3kfks5 pw54ja7n uo3d90p7 l82x9zwi goun2846 ccm00jje s44p3ltw mk2mc5f4 frvqaej8 ed0hlay0 afxsp9o4 jcgfde61 tvfksri0 ozuftl9m" style="animation-name: none; border-bottom-color: var(--divider); border-left-color: var(--divider); border-radius: 8px; border-right-color: var(--divider); border-style: solid; border-top-color: var(--divider); border-width: 1px; margin-left: 12px; margin-right: 12px; transition-property: none;"><div style="animation-name: none; transition-property: none;"><div class="hqeojc4l" style="animation-name: none; margin-top: -1px; transition-property: none;"><div dir="auto" style="animation-name: none; transition-property: none;"><div dir="auto" style="animation-name: none; transition-property: none;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" style="animation-name: none; padding: 4px 16px 16px; transition-property: none;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="animation-name: none; display: flex; flex-direction: column; margin-bottom: -5px; margin-top: -5px; transition-property: none;"><div class="qzhwtbm6 knvmm38d" style="animation-name: none; margin-bottom: 5px; margin-top: 5px; transition-property: none;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v b1v8xokw oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="animation-name: none; display: block; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; transition-property: none; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span class="pq6dq46d tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me sf5mxxl7 gl3lb2sf hhz5lgdu" style="animation-name: none; display: inline-flex; font-family: inherit; font-size: 0.9375rem; height: 16px; margin: 0px 1px; transition-property: none; vertical-align: middle; width: 16px;"><img alt="➡️" height="16" referrerpolicy="origin-when-cross-origin" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t9e/1/16/27a1.png" style="animation-name: none; border: 0px; transition-property: none;" width="16" /></span><span style="font-family: arial;">OLIA FEDOROVA </span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;"><span class="pq6dq46d tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me sf5mxxl7 gl3lb2sf hhz5lgdu" style="animation-name: none; display: inline-flex; height: 16px; margin: 0px 1px; transition-property: none; vertical-align: middle; width: 16px;"><img alt="▶️" height="16" referrerpolicy="origin-when-cross-origin" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t40/1/16/25b6.png" style="animation-name: none; border: 0px; transition-property: none;" width="16" /></span>Artista conceptual multidisciplinar que trabaja con la performance, la fotografía, el vídeo y el texto. Reside en Kharkiv, Ucrania.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Su práctica se centra en la investigación de los significados y los sentidos, los mecanismos y la problemática de su (trans)formación, a través de métodos de intervención performativa, observación y escritura.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Ha realizado exposiciones individuales en Kharkiv, Kyiv, Dnipro, Odesa, Ivano-Frankivsk (Ucrania) y Turín (Italia). Ha participado en residencias, exposiciones colectivas y eventos en Ucrania, Reino Unido, Polonia, Austria, Alemania, Estados Unidos y Japón.</span></div><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;"><br /></span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">La participación de Olia en el programa de residencia cuenta con el apoyo de la Fundación Cultural de Ucrania - <span style="animation-name: none; transition-property: none;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://l.facebook.com/l.php?u=https%3A%2F%2Fucf.in.ua%2F%3Ffbclid%3DIwAR1IgK5Lj6aH9YbCFQ7yqnCnJN63cUiBxJN7cyxBGk7OOxTPygSlGQ57sbc&h=AT1ckcNJ5NhoKKxdlkf6yn_PuhCOIMf6cSJEQVk70d3kQWs6ZXdBa2CE4Q7t3CHNF0GZxiDN65BDJLb-6eX15e7WDc_6vl0sSviV6y-QOgwu-On5kqsJ5Ti8Gw4_ovwbEQ&__tn__=-UK-y-R&c[0]=AT3fnFrtp5Z-_RCH-MdwiRTcWlocUgEFxCpOpvu8OZO-sxjENJ4f4yoC8PXJfUzBkIDATfuzkPkmdY_2_Lw7KAAYkaot_Z08trTTQZTrJHRFOALmRt7ISFrfMxKgDsXDR4qNE3urVBhnCeUUvWT1n-O9HzvvOrbKAFoy9wAIwTna2nNG-w9ls131tFfkEy-B1DFx1A" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none;" tabindex="0" target="_blank">https://ucf.in.ua</a></span> </span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">La Fundación Cultural Ucraniana es una institución estatal creada en 2017 con el objetivo de facilitar el desarrollo de la cultura y las artes en Ucrania, proporcionar un entorno favorable para el desarrollo del potencial intelectual y espiritual de las personas y la sociedad, un amplio acceso de los ciudadanos al patrimonio cultural nacional, apoyar la diversidad cultural y la integración de la cultura ucraniana en el espacio cultural mundial. Las actividades de la Fundación Cultural Ucraniana están dirigidas y coordinadas por el Ministerio de Cultura de Ucrania.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Multidisciplinary conceptual artist, working with performance, photography, video and text. Based in Kharkiv, Ukraine.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Her practice is focused on the research of meanings and senses – the mechanisms and problematics of their (trans)formation, through the methods of performative intervention, observation and writing.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Had solo exhibitions in Kharkiv, Kyiv, Dnipro, Odesa, Ivano-Frankivsk (Ukraine) and Torino (Italy). Participated in the residencies, group exhibitions and events in Ukraine, United Kingdom, Poland, Austria, Germany, USA, Japan.</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;"><br /></span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">Olia’s participation in the residency program is supported by the Ukrainian Cultural Foundation - <span style="animation-name: none; transition-property: none;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://ucf.in.ua/?fbclid=IwAR2deCmTajQvaCRrdU-P6Y_2The_F3rM-Og0gGres8Pr8CFwQppPF9UGJ6s" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; animation-name: none; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transition-property: none;" tabindex="0" target="_blank">https://ucf.in.ua</a></span> </span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;">The Ukrainian Cultural Foundation is a state-owned institution created in 2017 with aim to facilitate development of culture and arts in Ukraine, to provide favourable environment for development of intellectual and spiritual potential of individuals and society, wide access for the citizens to national cultural heritage, to support cultural diversity and integration of the Ukrainian culture into the world cultural space. Activities of the Ukrainian Cultural Foundation are guided and coordinated by the Ministry of Culture of Ukraine.</span></div><div dir="auto" style="animation-name: none; transition-property: none;"><a href="goog_586433085"><span style="font-family: arial;"><br /></span></a></div><div dir="auto" style="animation-name: none; transition-property: none;"><span><span style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; box-sizing: border-box; cursor: pointer; font-family: arial; list-style: none; outline-color: initial; outline-width: initial; text-align: inherit; touch-action: manipulation; transition-property: none;"><a href="http://oliafedorova.com" target="_blank">oliafedorova.com</a></span></span></div><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;"><br /></span></div><div dir="auto" style="animation-name: none; transition-property: none;"><span style="font-family: arial;"><b>Curadora/ Mariel Uncal Scotti</b></span></div></div></span></div></div></div></div></div></div></div></div></div><div class="separator" style="clear: both; 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min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; transition-property: none; user-select: none; z-index: 0;" tabindex="0"><img class="j1lvzwm4" height="18" role="presentation" src="data:image/svg+xml,%3csvg xmlns='http://www.w3.org/2000/svg' xmlns:xlink='http://www.w3.org/1999/xlink' viewBox='0 0 16 16'%3e%3cdefs%3e%3clinearGradient id='a' x1='50%25' x2='50%25' y1='0%25' y2='100%25'%3e%3cstop offset='0%25' stop-color='%2318AFFF'/%3e%3cstop offset='100%25' stop-color='%230062DF'/%3e%3c/linearGradient%3e%3cfilter id='c' width='118.8%25' height='118.8%25' x='-9.4%25' y='-9.4%25' filterUnits='objectBoundingBox'%3e%3cfeGaussianBlur in='SourceAlpha' result='shadowBlurInner1' stdDeviation='1'/%3e%3cfeOffset dy='-1' in='shadowBlurInner1' result='shadowOffsetInner1'/%3e%3cfeComposite in='shadowOffsetInner1' in2='SourceAlpha' k2='-1' k3='1' operator='arithmetic' result='shadowInnerInner1'/%3e%3cfeColorMatrix in='shadowInnerInner1' values='0 0 0 0 0 0 0 0 0 0.299356041 0 0 0 0 0.681187726 0 0 0 0.3495684 0'/%3e%3c/filter%3e%3cpath id='b' d='M8 0a8 8 0 00-8 8 8 8 0 1016 0 8 8 0 00-8-8z'/%3e%3c/defs%3e%3cg fill='none'%3e%3cuse fill='url(%23a)' xlink:href='%23b'/%3e%3cuse fill='black' filter='url(%23c)' xlink:href='%23b'/%3e%3cpath fill='white' d='M12.162 7.338c.176.123.338.245.338.674 0 .43-.229.604-.474.725a.73.73 0 01.089.546c-.077.344-.392.611-.672.69.121.194.159.385.015.62-.185.295-.346.407-1.058.407H7.5c-.988 0-1.5-.546-1.5-1V7.665c0-1.23 1.467-2.275 1.467-3.13L7.361 3.47c-.005-.065.008-.224.058-.27.08-.079.301-.2.635-.2.218 0 .363.041.534.123.581.277.732.978.732 1.542 0 .271-.414 1.083-.47 1.364 0 0 .867-.192 1.879-.199 1.061-.006 1.749.19 1.749.842 0 .261-.219.523-.316.666zM3.6 7h.8a.6.6 0 01.6.6v3.8a.6.6 0 01-.6.6h-.8a.6.6 0 01-.6-.6V7.6a.6.6 0 01.6-.6z'/%3e%3c/g%3e%3c/svg%3e" style="animation-name: none; 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animation-name: none; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; transition-property: none; user-select: none;" tabindex="0"><span aria-hidden="true" class="bzsjyuwj ni8dbmo4 stjgntxs ltmttdrg gjzvkazv" style="animation-name: none; float: left; font-family: inherit; overflow: hidden; text-overflow: ellipsis; transition-property: none; width: 100px;"><span style="animation-name: none; font-family: inherit; transition-property: none;"><span class="gpro0wi8 pcp91wgn" style="animation-name: none; font-family: inherit; padding-left: 6px; transition-property: none;">4</span></span></span><span class="gpro0wi8 cwj9ozl2 bzsjyuwj ja2t1vim" style="animation-name: none; background-color: var(--card-background); float: left; font-family: inherit; margin-left: -100px; transition-property: none;"><span style="animation-name: none; font-family: inherit; transition-property: none;"><span class="pcp91wgn" style="animation-name: none; font-family: inherit; padding-left: 6px; transition-property: none;">4</span></span></span></div></span></div></div><div class="kb5gq1qc pfnyh3mw c0wkt4kp" style="animation-name: none; background-color: white; color: #65676b; flex-grow: 0; flex-shrink: 0; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; text-align: start; transition-property: none; width: 7px;"></div></div></div></div></div></div></div></div></div><p><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-5537590252463928382021-08-04T09:32:00.001-07:002021-12-13T08:36:12.205-08:00Kelsey Hamilton Davis/ Perséfone y la ruta a lo largo del Atlántico/ Febrero 2021 en RC<p><b><span style="font-size: medium;"> </span></b></p><p><b><span style="font-size: medium;"><br /></span></b></p><p><b><span style="font-size: medium;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgymZnqhb8NZxasVnCLL7WPnujl9MgPHwi0eoOxFy9UYtUE4MZ59Bcnn-f3HuY2_VhFNrYxJmNYWMK_ydynVeDq7QPlOiVEPYF1E_vx7aDe0YpAmX9F8-ikMRa6fkkc0jBAA21P/s2048/IMG_6190.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgymZnqhb8NZxasVnCLL7WPnujl9MgPHwi0eoOxFy9UYtUE4MZ59Bcnn-f3HuY2_VhFNrYxJmNYWMK_ydynVeDq7QPlOiVEPYF1E_vx7aDe0YpAmX9F8-ikMRa6fkkc0jBAA21P/s320/IMG_6190.JPG" width="320" /></a></span></b></div><b><span style="font-size: medium;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTlNjwhLUyjfP0AfVqP3gXFM3kPmix12WXv2cdWwHQh1DBnomLmGANYV58ZVX70BGg2OHXftzyfrLvwnqPSFl80xa0Mpv8pOlJQ0JEJk6qI1KKGP0gYhDB1QUdqpXo6XfeaF5m/s2048/IMG_6222.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTlNjwhLUyjfP0AfVqP3gXFM3kPmix12WXv2cdWwHQh1DBnomLmGANYV58ZVX70BGg2OHXftzyfrLvwnqPSFl80xa0Mpv8pOlJQ0JEJk6qI1KKGP0gYhDB1QUdqpXo6XfeaF5m/s320/IMG_6222.JPG" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="goog_1974254469"><br /></a></div><div class="separator" style="clear: both; text-align: center;"><span lang="ES" style="font-family: "Helvetica Neue"; font-size: 14pt;"><a href="http://kelseyhamiltondavis.com">kelseyhamiltondavis.com</a></span></div><br />Perséfone y la ruta a lo largo del Atlántico</span></b><p></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"><i style="mso-bidi-font-style: normal;"><span color="windowtext" lang="EN">“Prayer to Persephone”, </span></i><span color="windowtext" lang="EN">by Edna St. Vincent Millay<i style="mso-bidi-font-style: normal;"><o:p></o:p></i></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">From the collection, <i style="mso-bidi-font-style: normal;">Second April</i>, published 1921<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Be to her, Persephone, <o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">All the things I might not be; <o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Take her head upon your knee.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">She that was so proud and wild, <o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Flippant, arrogant and free,<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">She that had no need of me, <o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Is a little lonely child<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Lost in Hell, - Persophone,<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Take her head upon your knee;<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">Say to her, “My dear, my dear,<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><span style="font-family: arial;">It is not so dreadful here.”<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN"><o:p><span style="font-family: arial;"> </span></o:p></span><i><span color="windowtext"><span style="font-family: arial;">Notas de la artista:</span></span></i></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext"><o:p><span style="font-family: arial;"> </span></o:p></span><span color="windowtext" style="font-family: arial;">En general, me preocupa examinar y
afrontar la domesticación y las narrativas de la herencia colonial, y cómo
éstas interactúan simultáneamente con el cuerpo antiguo y contemporáneo. Pienso
mucho en las vagas nociones del linaje europeo-americano, en lo formal, lo
decorativo y lo educado, utilizadas originalmente para asociar al colonizador
con la idea de lo civilizado como distinto y separado de lo natural, como un
medio de dominación de uno mismo y de los demás. Me pregunto cómo estas
nociones dan forma a nuestra comprensión de la cultura como contraria al cuerpo
animal y cómo esto cultiva la ansiedad y el miedo a la vasija rebelde, abultada
y texturizada. Amaso objetos para encontrarme en situaciones ambiguas, a menudo
anclando el trabajo en representaciones apropiadas, míticas, literarias o
populares de la feminidad y la naturaleza. Materialmente, tanto la cerámica
como lo textil, se encuentran en una posición única como una antigua forma
ritualista y material de entender el lugar del ser humano en la palabra y, al
mismo tiempo, un objeto doméstico de utilidad y decoración. La vasija y el
tapiz son a la vez un registro del toque humano, el ritual y el gusto, pero
también el contenedor de todo lo que necesitamos para sostener y ser sostenido.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN-US"><span style="font-family: arial;">----------------------------------------------------------------------------------------------------------------------<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" lang="EN-US"><o:p><span style="font-family: arial;"> </span></o:p></span><b style="color: windowtext; font-family: arial;"><i>Persephone and the Highway Along the
Atlantic</i></b></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><i style="mso-bidi-font-style: normal;"><span color="windowtext" lang="EN-US"><o:p><span style="font-family: arial;"> </span></o:p></span></i><span color="windowtext" style="font-family: arial;">In general, I am worried about an
examination and coping with domestication, narratives of colonial heritage, and
how they interact with the simultaneously ancient and contemporary body. I
think a lot about vague notions of American European lineage, the formal and
the decorative and the polite, utilized originally to associate the colonizer
with the idea of the Civilized as distinct and separate from the Natural, as a
means of domination of self and other: I wonder about how these notions shape
our understanding of culture as contrary to the animal body and how this
cultivates anxiety and fear of the unruly, lumpy, textured vessel. I amass
objects to meet in ambiguous situations- often anchoring the work in
appropriated, mythical, literary, or folk portrayals of womanhood and Nature.
Materially, both ceramic and textile are in a unique position as an ancient
ritualistic and material way of understanding the human’s place in the word and
simultaneously a domestic object of utility and decoration. The vessel and the
tapestry are at once a record of human touch, making ritual, and taste but also
the container for all that we need it to hold and be held by.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" style="font-family: arial;">-----------------------------------------------------------------------------------------------------------------------------</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span style="font-family: arial;"><span color="windowtext" lang="EN"><o:p> </o:p></span>En
este lado del mundo<b>, </b>estamos
acostumbrados a pensar y enunciar sobre las colonizaciones. Desde las
históricas, que fueron borrando y limitando pueblos, hasta las contemporáneas,
escondidas bajo el discurso de la aldea global inclusiva.</span></p>
<p class="MsoNormal"><span style="font-family: arial;"> </span><span style="font-family: arial;">Son
los pocos cruces con voces alternativas los que nos hacen pensar ¿existe
colonización en los países colonizadores? ¿Cómo es y de dónde nace?</span></p>
<p class="MsoNormal"><span style="font-family: arial;">Las obras de <i>Kelsey</i> son las hijas
rebeldes de esa herencia conquistadora. Desnudan la incomodidad que la
tradición de raíces británicas, bajo el lema de la formalidad, continúa
imponiendo sobre los cuerpos en su cultura, censurando las particularidades
bajo los patrones del “buen gusto”.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"> </span><span style="font-family: arial;">Cerámicas,
dibujos y telas que, como Caballo de Troya, siembran pequeñas disrupciones a
través de las mismas materialidades que esta </span><i style="font-family: arial;">amabilidad protocolar</i><span style="font-family: arial;"> suele registrar como marcas de una comunidad
conquistada.</span></p>
<p class="MsoNormal"><span style="font-family: arial;">La
obra de <i>Kelsey</i> es el maquillaje
corrido, la quemadura de cigarrillo en la cortina, es el ruido del que nadie
quiere hablar. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"> </span><i><span lang="EN"><b><span style="font-family: arial;">Mariel Uncal Scotti/ Curadora</span></b></span></i></p>
<p class="MsoNormal"><span lang="EN" style="font-family: "EB Garamond"; mso-bidi-font-family: "EB Garamond"; mso-fareast-font-family: "EB Garamond";"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;"><span color="windowtext" face=""Arial","sans-serif"" lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";"><o:p> </o:p></span></p>
<p class="MsoNormal"><span face=""Arial","sans-serif"" lang="EN-US" style="background: white; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span face=""Arial","sans-serif"" lang="EN-US" style="background: white; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;"><o:p> </o:p></span></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-43727050890069098252021-08-04T09:15:00.000-07:002021-08-04T09:15:18.575-07:00Sarah Zakaib en Residencia Corazón<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0WvlE2G6-VuoEaM9fw4nVqOZM7Da8XkmxWZgdbiJ578fv7gfqyIsas1NdMoNh30H22ioa5_aaDcr8dkKmSUYtzLhhk4r60k2_65qPxhyphenhyphenP-xtm0U2PkqZgsmAvfebAY_7SRYFc/s1600/IMG-20190212-WA0012_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0WvlE2G6-VuoEaM9fw4nVqOZM7Da8XkmxWZgdbiJ578fv7gfqyIsas1NdMoNh30H22ioa5_aaDcr8dkKmSUYtzLhhk4r60k2_65qPxhyphenhyphenP-xtm0U2PkqZgsmAvfebAY_7SRYFc/s320/IMG-20190212-WA0012_2.jpg" width="320" /></a></div>
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<div class="MsoNormal">
<span lang="ES-AR" style="background: white; font-family: "Arial","sans-serif"; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">Esta
serie de obras se inició en un proceso relacional, tras realizar una
convocatoria general en el contexto de una residencia artística de dos meses.
Ahora he vuelto para presentar los resultados de este proceso. Este año es el
43º aniversario del inicio de la dictadura argentina, lo que influyó mucho en
las historias que me contaron.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="ES-AR" style="background: white; font-family: "Arial","sans-serif"; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">El
proyecto trata de historias personales, recuerdos e historia oral. Convoqué a
los participantes (jóvenes y mayores) buscando más historias, que sean
importantes y tengan sentido para ellos. La intención es representar tanto una
conexión íntima con el pasado como una disonancia con esa misma cosa, o
responder a algún imperativo innato de la historia misma, y trabajarlas en
colaboración con las personas que me las entregan.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="ES-AR" style="background: white; font-family: "Arial","sans-serif"; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">Este
proyecto se inscribe en la continuidad de mi práctica artística vinculando
arte, identidad y tiempo a través de objetos, independientemente de su
importancia simbólica o su aparente trivialidad. El objeto aquí son las historias.
Mi interés reside en la fascinación por la coherencia de la identidad, la
historia y la memoria colectiva y personal, las historias que se convierten en
mitos y la apariencia borrosa de la identidad estática. Creo que las historias
pueden llegar a ser capaces de resonar entre personas; y es a menudo con
objetos relacionales que resuenan íntimamente entre los miembros de la familia
que las relaciones se mantienen y se mantienen vivas.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="ES-AR" style="background: white; font-family: "Arial","sans-serif"; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">Me
inspiro para crear este proyecto a partir de estas palabras que encontré al
leer <i style="mso-bidi-font-style: normal;">"What the Body Cost"</i> <i style="mso-bidi-font-style: normal;">(Jane M. Blocker, 2004), </i>un libro sobre
el arte de la performance de los años setenta: <i style="mso-bidi-font-style: normal;">"eso que resulta en el conflicto entre lo que innegablemente somos
y de lo que seguimos distanciados".</i><o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="ES-AR" style="background: white; font-family: "Arial","sans-serif"; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;"><o:p> -------------------------------------------------------------------------------------------------------------------------</o:p></span></div>
<div class="MsoNormal">
<span style="background: white; font-family: "Arial","sans-serif"; mso-ansi-language: ES-SV; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;"><o:p> </o:p></span><span style="background-color: white; font-family: Arial, sans-serif;"> </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="background: white; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">This series of work was started in a relational
process, following a general call for participants, in the context of a
two-month artist residency. I have returned to present the results of this
process. This year marks the 43<sup>rd</sup> year since the start of the Argentinian
dictatorship, which greatly influenced the stories that were told to me.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="background: white; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">The project deals with personal stories, memories
and oral history. I sent out a call for participants, searching for more
stories, old and young, that are important to your sense of self. The intention
is to depict both an intimate connection to one's past, and a dissonance to
that same thing, or to respond to some imperative innate to the story itself,
and in collaboration with people that give them to me.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="background: white; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">This project is inscribed in the continuity of my
artistic practice linking, art, identity and time through objects, regardless
of its symbolic importance or its apparent triviality. The object here are the
stories. My interest resides in a fascination with coherence in identity,
collective and personal history and memory, stories becoming myth, and the
blurred appearance of static identity. I believe that stories can become able
to resonate between persons; and it is often with relational objects that
resound intimately between family members that relationships are maintained and
stay alive.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="background: white; font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-TW;">I am inspired to create this project from these
words I encountered while reading <i style="mso-bidi-font-style: normal;">“What
the Body Cost” (Jane M. Blocker, 2004)</i>, a book on performance art of the
1970´s: “that which results in the conflict between what we undeniably are and
yet remain distanced from.”<o:p></o:p></span></div>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-25616731863706390532020-06-26T07:22:00.000-07:002020-06-26T07:22:24.855-07:00Escritores- Writers en Residencia Corazón<div class="separator" style="clear: both; text-align: center;">
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<a href="https://www.instagram.com/tomfeulner/?hl=es-la"><span style="font-size: large;">https://www.instagram.com/tomfeulner/?hl=es-la</span></a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-4459499995640147042020-06-25T06:46:00.000-07:002020-06-25T06:46:53.102-07:00Flounder Lee en Residencia Corazón<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Flounder Lee</b> es un artista/curador/educador que actualmente se encuentra en un período sabático haciendo residencias artísticas y curatoriales en todo el mundo. Creció en una granja en los Estados Unidos y recibió su BFA de la Universidad de Florida y su MFA de la Universidad del Estado de California en Long Beach, ambas en arte de estudio y fotografía. Durante la última década, varios temas que se superponen han recorrido su trabajo: el postcolonialismo, el mapeo, la ciencia y el cambio ambiental. Utiliza varios medios como la fotografía, el video, la performance, el sonido y la instalación para crear obras que tocan temas importantes. Muchos de los mismos temas y medios también forman parte de su práctica curatorial. Los restos de su primera especialización en ingeniería aeroespacial, como las reglas y las condiciones preestablecidas, son comunes en su práctica. Su trabajo sabático trata sobre un futuro cotidiano y descolonial.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Flounder Lee </b>is an artist/curator/educator currently on sabbatical doing artistic and curatorial residencies around the world. He grew up on a farm in the United States and received his BFA from the University of Florida and his MFA from California State University, Long Beach, both in studio art and photography. Over the past decade, several overlapping themes have run through his work: post-colonialism, mapping, science and environmental change. He uses various media such as photography, video, performance, sound and installation to create works that touch on important themes. Many of the same themes and media are also part of her curatorial practice. Remains from her early specialization in aerospace engineering, such as rules and pre-set conditions, are common to her practice. His sabbatical work is about a daily and decolonial future.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><a href="http://www.flounderlee.com/">www.flounderlee.com</a></b></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-34063300.post-90659082703784107172020-06-19T08:37:00.001-07:002020-06-19T08:37:59.342-07:00 Lisa Huntley en Residencia Corazón<div class="separator" style="clear: both; text-align: center;">
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<a href="https://www.instagram.com/lisachuntley/?hl=es-la"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">https://www.instagram.com/lisachuntley/?hl=es-la</span></a>Unknownnoreply@blogger.com